The camera sees more than the eye, so why not make use of it?
Edward WestonRead
People who wouldn't think of taking a sieve to the well to draw water fail to see the folly in taking a camera to make a painting.
Interpretation
The quote criticizes the misuse of tools in art, suggesting that just as a sieve is unsuitable for drawing water, a camera is not the appropriate tool for painting.
Edward Weston’s quote highlights the importance of using the right tools for artistic expression. It draws a parallel between inappropriate methods in different contexts—using a sieve for water and a camera for painting—illustrating how true artistic skill requires the correct medium and approach to convey a vision effectively.
In practice
In a speech about the importance of choosing the right method for creative expression, one might quote Edward Weston.
The camera sees more than the eye, so why not make use of it?
The photograph isolates and perpetuates a moment of time: an important and revealing moment, or an unimportant and meaningless one, depending upon the photographer's understanding of his subject and mastery of his process.
Why limit yourself to what your eyes see when you have an opportunity to extend your vision?
Consulting the rules of composition before taking a photograph, is like consulting the laws of gravity before going for a walk.
I start with no preconceived idea - discovery excites me to focus - then rediscovery through the lens - final form of presentation seen on ground glass, the finished print previsioned completely in every detail of texture, movement, proportion, before exposure - the shutter's release automatically and finally fixes my conception, allowing no after manipulation - the ultimate end, the print, is but a duplication of all that I saw and felt through my camera.
Photography to the amateur is recreation, to the professional it is work, and hard work too, no matter how pleasurable it my be.
Acting is not about being someone different. It's finding the similarity in what is apparently different, then finding myself in there.
The deepest quality of a work of art will always be the quality of the mind of the producer...No good novel will ever proceed from a superficial mind.
Media gatekeepers - editors, publishers, film studios and the like - need to begin investing in talent behind the scenes, developing and resourcing marginalized voices to tell their own stories. At the end of the day, it's about the story and what will enable the audience to truly see, understand, and know the life and times of the subject.
I wrote my first novel and my second novel in Chicago. It was the place where I became a writer. It's my favorite city.
I get my best ideas in a thunderstorm. I have the power and majesty of nature on my side.
Art is very tricky because it's what you do for yourself. It's much harder for me to make those works than the monuments or the architecture.
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