In other words, let's give our young women the right weapons to fight with as they charge naked into battle, instead of ordering them to get back in the house and put some goddamn clothes on.
Amanda PalmerRead
I think people have been obsessed with the wrong question, which is how do we make people pay for music? What if we started asking, how do we let people pay for music?
Interpretation
The quote emphasizes a shift in perspective about music monetization, encouraging a focus on how to facilitate payment rather than forcing it.
Amanda Palmer challenges the common mindset surrounding the music industry by suggesting that instead of fixating on how to make people pay for music, we should consider how to enable and encourage them to support musicians. This perspective fosters a more positive approach to artist remuneration, promoting an environment where artists can thrive through supported communities rather than transactional obligations.
In practice
During a music industry conference to inspire change in artist compensation.
In other words, let's give our young women the right weapons to fight with as they charge naked into battle, instead of ordering them to get back in the house and put some goddamn clothes on.
There’s no “correct path” to becoming a real artist. You might think you’ll gain legitimacy by going to university, getting published, getting signed to a record label. But it’s all bullshit, and it’s all in your head. You’re an artist when you say you are. And you’re a good artist when you make somebody else experience or feel something deep or unexpected.
In an age of incompetence, I've been able to last in this crazy business. I actually know how to play my ax and write a song. That's my job.
When one knows at an early age that their gift, talent and direction is musical, one tends to focus on that and let nothing interfere or impede the forward motion toward the end of that rainbow. And after 50-something years of rockin' out, you still realise there is no end to that distant rainbow until one's last sunset.
I heard Little Richard and Jerry Lee Lewis, and that was it. I didn't ever want to be anything else. I just started banging away and semi-studied classical music at the Royal Academy of Music but sort of half-heartedly.
You know, traditional country music is something that's going to be around forever... I'm not worried about it.
I've had a lot of different experiences in music over the years.And not everything you do can satisfy everybody's idealised version of you.
Jimi Hendrix came from the blues, like me. We understood each other right away because of that. He was a great blues guitarist.
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