I once believed that I possessed creative talent, but I have given up this idea; a woman must not desire to compose — there has never yet been one able to do it. Should I expect to be the one?
Clara SchumannRead
I cannot give a single concert at which I do not play one piece after the other in an agony of terror because my memory threatens to fail me. This fear torments me for days beforehand.
Interpretation
Clara Schumann expresses the fear and anxiety that comes with performing music, highlighting the pressure to succeed.
This quote by Clara Schumann captures the intense emotional struggle that performers often face before taking the stage. Her mention of 'agony of terror' and the torment of fear emphasizes the mental toll that the pressure to remember and deliver the music can have on an artist, illustrating the vulnerability even the most skilled musicians feel in their craft.
In practice
During a music workshop, to encourage young performers, I might say, 'Remember Clara Schumann's words about her own performance fears.'
I once believed that I possessed creative talent, but I have given up this idea; a woman must not desire to compose — there has never yet been one able to do it. Should I expect to be the one?
My health may be better preserved if I exert myself less, but in the end doesn't each person give his life for his calling?
There is nothing greater than the joy of composing something oneself and then listening to it.
Composing gives me great pleasure... there is nothing that surpasses the joy of creation, if only because through it one wins hours of self-forgetfulness, when one lives in a world of sound.
There's a reason why the Foo Fighters don't blast out Nirvana songs every night: because we have a lot of respect for them. You know, that's hallowed ground. We have to be careful. We have to tread lightly. We have talked about it before, but the opportunity hasn't really come up, or it just hasn't felt right.
We were never a band that did 96 takes of the same thing. I had heard of groups that were into that kind of excess around that time. They'd work on the same track for three or four days and then work on it some more, but that's clearly not the way to record an album. If the track isn't happening and it creates some sort of psychological barrier, even after an hour or two, then you should stop and do something else. Go out: go to the pub, or a restaurant or something. Or play another song.
I'm saying: to be continued, until we meet again. Meanwhile, keep on listening and tapping your feet.
The enticing allure of Nashville is that there is always something new coming down the pike. Put this record on and you’ll hear footsteps.
People do dismiss ambient music, don't they? They call it 'easy listening,' as if to suggest that it should be hard to listen to.
People want to listen to a message, word from Jah. This could be passed through me or anybody. I am not a leader. Messenger. The words of the songs, not the person, is what attracts people.
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