For I now realize that what overcame me that evening was a sudden awareness of the power of intuition, the supra-logic that cuts out all routine processes of thought and leaps straight from problem to answer.
Robert GravesRead
A perfect poem is impossible. Once it had been written, the world would end._x000D_ _x000D_ Immature poets imitate; mature poets steal.
Interpretation
True perfection in poetry is unattainable, and great poets draw inspiration from existing works.
The quote suggests that a perfect poem can never exist because its completion would signify the end of the world, emphasizing the idea that creativity is always evolving. Additionally, it highlights the notion that less experienced poets may simply mimic others, while those who are more skilled understand the value of reinterpreting and integrating existing ideas into their work.
In practice
In a literary discussion about the nature of poetry, one might use this quote to emphasize the importance of original thought.
For I now realize that what overcame me that evening was a sudden awareness of the power of intuition, the supra-logic that cuts out all routine processes of thought and leaps straight from problem to answer.
To recommend a monarchy on account of the prosperity it gives the provinces seems to me like recommending that a man should have liberty to treat his children as slaves, if at the same time he treats his slaves with reasonable consideration.
A banker warned the British poet Robert Graves that one could not grow rich writing poetry. He replied that if there was no money in poetry, there was certainly no poetry in money, and so it was all even.
Poetry began in the matriarchal age, and derives its magic from the moon, not from the sun. No poet can hope to understand the nature of poetry unless he has had a vision of the Naked King crucified to the lopped oak, and watched the dancers, red-eyed from the acrid smoke of the sacrificial fires, stamping out the measure of the dance, their bodies bent uncouthly forward, with a monotonous chant of "Kill! kill! kill!" and "Blood! blood! blood!
No poem is worth anything unless it starts from a poetic trance, out of which you can be wakened by interruption as from a dream. In fact, it is the same thing.
Never use the word 'audience.' The very idea of a public, unless the poet is writing for money, seems wrong to me. Poets don't have an 'audience'. They're talking to a single person all the time.
Football games are on TV, and it doesn't affect stadium attendance at all. It's the same with movies. People who really love movies and like to go out on a Saturday night will go to the movie theater.
To make films, it always begins with two words: what and how. First of all, you have to find a story, or what are you going to tell? And you have to find a way to tell it visually.
You not only have to know your own instrument, you must know the others and how to back them up at all times. That's jazz.
The good critic is he who relates the adventures of his soul among masterpieces.
Theatre has nothing to do with buildings or other physical constructions. Theatre - or theatricality - is the capacity, this human property which allows man to observe himself in action, in activity. Man can see himself in the act of seeing, in the act of acting, in the act of feeling, the act of thinking. Feel himself feeling, think himself thinking.
We read five words on the first page of a really good novel and we begin to forget that we are reading printed words on a page; we begin to see images.
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