Fear is the path to the dark side. Fear leads to anger. Anger leads to hate. Hate leads to suffering.
Football games are on TV, and it doesn't affect stadium attendance at all. It's the same with movies. People who really love movies and like to go out on a Saturday night will go to the movie theater.
Interpretation
What this quote means
The quote emphasizes that passion and experience are not diminished by alternative viewing options.
George Lucas highlights that the enjoyment of certain experiences, like watching a football game or a movie in a theater, remains intact despite the availability of at-home options like television or streaming services. True enthusiasts will seek out the communal and immersive experiences such as attending a live game or watching a movie on the big screen, as these experiences hold unique value that can't be replicated at home.
Themes
In practice
Example use cases
In a speech discussing the impact of streaming on traditional cinema, one might cite this quote to illustrate the enduring appeal of the movie theater experience.
More from George Lucas
All quotes →When you are a beginning film maker you are desperate to survive. The most important thing in the end is survival and being able to get to your next picture.
The technology keeps moving forward, which makes it easier for the artists to tell their stories and paint the pictures they want.
I've come to the conclusion that mythology is really a form of archaeological psychology. Mythology gives you a sense of what a people believes, what they fear.
I wanted Yoda to be the traditional kind of character you find in fairy tales and mythology. And that character is usually a frog or a wizened old man on the side of the road. The hero is going down the road and meets this poor and insignificant person. The goal or lesson is for the hero to learn to respect everybody and to pay attention to the poorest person because that's where the key to his success will be.
So this is how liberty dies. With thunderous applause.
Similar quotes
Burn, burn tree and fern! Shrivel and scorch! A fizzling torch To light the night for our delight, Ya hey! Bake and toast ‘em, fry and roast ‘em! till beards blaze, and eyes glaze; till hair smells and skins crack, fat melts, and bones black in cinders lie beneath the sky! So dwarves shall die, and light the night for our delight, Ya hey! Ya-harri-hey! Ya hoy!
...And, all at once, the moon arouse through the thin ghastly mist, And was crimson in color... And they lynx which dwelleth forever in the tomb, came out therefrom. And lay down at the feet of the demon. And looked at him steadily in the face.
You like it, that's all, whether it's a landscape or abstract. You like it. It hits you. You don't have to read it. The work of art-sculpture or painting-forces your eye.
Always, when I do a play, there's got to be an equation of risks and potential failure. When you're working on a new play, it's like, 'How the hell do I do this, and do we have the time?' All of these huge questions engage, hopefully, the smartest part of me. And then when you're doing a revival, I went, 'Well, somebody's already solved it.'
I try to create sympathy for my characters, then turn the monsters loose.
A thing of beauty is a joy forever.