Science is a way to not fool ourselves.
Carl SaganRead
There is perhaps no better a demonstration of the folly of human conceits than this distant image of our tiny world.
Interpretation
This quote highlights the insignificance of human pride in the vastness of the universe.
Carl Sagan's quote serves as a poignant reminder of the absurdity of human arrogance when seen in the context of the expansive universe. It urges us to reflect on our place within the cosmos and recognize the smallness of our world compared to the grandeur of the universe, suggesting that with this perspective, we should embrace humility rather than pride.
In practice
During an astronomy lecture to emphasize the vastness of space.
Science is a way to not fool ourselves.
In more than one respect, the exploring of the Solar System and homesteading other worlds constitutes the beginning, much more than the end, of history.
How smart does a chimpanzee have to be before killing him constitutes murder?
The hole in the ozone layer is a kind of skywriting. At first it seemed to spell out our continuing complacency before a witch's brew of deadly perils. But perhaps it really tells of a newfound talent to work together to protect the global environment.
There is a reward structure in science that is very interesting: Our highest honors go to those who disprove the findings of the most revered among us. So Einstein is revered not just because he made so many fundamental contributions to science, but because he found an imperfection in the fundamental contribution of Isaac Newton.
The simplest thought, like the concept of the number one, has an elaborate logical underpinning.
Life is a great sunrise. I do not see why death should not be an even greater one.
Any foolish boy can stamp on a beetle, but all the professors in the world cannot make a beetle.
I love order. It's my dream. A world where all would be silent and still, and each thing in its last place, under the last dust.
Holiness is doing God's will with a smile.
It is the Late city that first defies the land, contradicts Nature in the lines of its silhouette, denies all Nature. It wants to be something different from and higher than Nature. These high-pitched gables, these Baroque cupolas, spires, and pinnacles, neither are, nor desire to be, related with anything in Nature. And then begins the gigantic megalopolis, the city-as-world, which suffers nothing beside itself and sets about annihilating the country picture.
Life on board a pleasure steamer violates every moral and physical condition of healthy life except fresh air. . . . It is a guzzling, lounging, gambling, dog's life. The only alternative to excitement is irritability.
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