Never to get lost is not to live, not to know how to get lost brings you to destruction.
Rebecca SolnitRead
Perhaps walking is best imagined as an 'indicator species,' to use an ecologist's term. An indicator species signifies the health of an ecosystem, and its endangerment or diminishment can be an early warning sign of systemic trouble. Walking is an indicator species for various kinds of freedom and pleasures: free time, free and alluring space, and unhindered bodies.
Interpretation
Walking reflects our freedom and the health of our lives and environments.
In this quote, Rebecca Solnit suggests that walking serves as a metaphor for various freedoms and pleasures in life. It represents not just physical activity but also a deeper sense of liberty and vitality, indicating the overall health of our ecosystems, both natural and personal. The act of walking can highlight the quality of our lives and surroundings, suggesting that when this simple pleasure is compromised, it may signal larger issues at play in society or the environment.
In practice
During a nature walk, I shared a quote by Rebecca Solnit to emphasize the beauty and freedom walking brings.
Never to get lost is not to live, not to know how to get lost brings you to destruction.
I still think the revolution is to make the world safe for poetry, meandering, for the frail and vulnerable, the rare and obscure, the impractical and local and small.
We have a real role in how our own collective lives, our nation, and our world and society turn out. Seizing those opportunities is important, and disasters are sometimes one of those opportunities.
If sorrow and beauty are all tied up together, then perhaps maturity brings with it not what Nabhan calls abstraction, but an aesthetic sense that partially redeems the losses time brings and finds beauty in the faraway.
The object we call a book is not the real book, but its potential, like a musical score or seed. It exists fully only in the act of being read; and its real home is inside the head of the reader, where the symphony resounds, the seed germinates. A book is a heart that only beats in the chest of another.
Cities have always offered anonymity, variety, and conjunction, qualities best basked in by walking: one does not have to go into the bakery or the fortune-teller's, only to know that one might. A city always contains more than any inhabitant can know, and a great city always makes the unknown and the possible spurs to the imagination.
And where she went, the flowers took thickest root, As she had sow'd them with her odorous foot.
Travelers repose and dream among my leaves.
Nature gave us pain as a messaging device to tell us that we are approaching, or that we have exceeded, our limits in some way.
Despite their lack of visual impact, headline sex-appeal, and their 'out of sight, out of mind' nature, we should all care about aquatic dead zones because we are all connected to their causes and we all feel their impacts.
The autumn always gets me badly, as it breaks into colours. I want to go south, where there is no autumn, where the cold doesn't crouch over one like a snow-leopard waiting to pounce.
There will come soft rains and the smell of the ground, And swallows circling with their shimmering sound; And frogs in the pool singing at night, And wild plum trees in tremulous white; Robins will wear their feathery fire, Whistling their whims on a low fence-wire; And not one will know of the war, not one Will care at last when it is done. Not one would mind, neither bird nor tree, If mankind perished utterly; And Spring herself when she woke at dawn Would scarcely know that we were gone.
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