I think there is a tendency for people to get rigid and caught up in their beliefs of what is right and wrong, and they lose sight of humanity. Being human has to come first before right or wrong.
MatisyahuRead
When a person listens to a good song, and they can look out at the world and their lives and see the dark and the light, the negative and the positive, all the different elements, all come together in one holistic poem, that is a very healing and very reductive thing, and that's what my music is about.
Interpretation
The quote highlights how music can reflect the complexities of life, offering healing through its artful expression.
Matisyahu emphasizes the power of music as a profound reflection of the human experience, where listeners can perceive both the darkness and light in their lives. His work aims to capture these dualities, revealing how music serves as a unifying and healing force that brings together diverse elements of existence into a cohesive and meaningful expression.
In practice
In a lecture about the therapeutic effects of art, this quote can illustrate the power of music in emotional healing.
I think there is a tendency for people to get rigid and caught up in their beliefs of what is right and wrong, and they lose sight of humanity. Being human has to come first before right or wrong.
All my life I been waitin' for I been prayin' for, for the people to say that we don't want to fight no more. They'll be no more wars and our children will play, one day.
When I went to see certain shows when I was a kid, they changed my life. They made me tap into that place inside myself that I was unable to get to, so music is that tool, that bridge, and that's the kind of music I'm interested in making.
When there's light shining on a tree, that tree takes on different meaning. If there's no light at all it just looks dead. If you look at light as godly meaning, the world comes alive in a certain way.
After all everybody, that is, everybody who writes is interested in living inside themselves in order to tell what is inside themselves. That is why writers have to have two countries, the one where they belong and the one in which they live really. The second one is romantic, is is separate from themselves, it is not real but it is really there.
I love the entire ritual of getting dressed. When we do a fashion show, we try to send out a message; we couldn't do that without the hair and makeup. The whole is equal to the sum of its parts.
Their task [creative artists], therefore, is to communicate directly from one inward world to another, in such a way that an actual shock of experience will have been rendered: not a mere statement for the information or persuasion of a brain, but an effective communication across the void of space and time from one center of consciousness to another.
A painter's tastes must grow out of what so obsesses him in life that he never has to ask himself what it is suitable for him to do in art.
I can see myself as a very old man in a terrific wheelchair. Only, I won't be photographing the tree outside my window, the way Steichen did. I'll be photographing other old people.
There are no limits to what kind of bodies, which types of people, which genders, or what races can do amazing drag, and I think the audience is clamoring fighting with each other more and more to see drag represented as fully as it possibly can be.
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