Relating a person to the whole world: that is the meaning of cinema.
Interpretation
Cinema connects individual experiences to universal themes and emotions.
This quote by Andrei Tarkovsky emphasizes the profound impact of cinema in conveying human experiences that resonate on a global scale. By showcasing personal stories, cinema allows audiences to see themselves in the larger context of society, culture, and existence, fostering a sense of shared humanity and understanding among diverse viewers.
In practice
Using this quote in a film review to highlight the universal themes portrayed in the movie.
AN ARTISTIC DISCOVERY OCCURS EACH TIME AS A NEW AND UNIQUE IMAGE OF THE WORLD, A HIEROGLYPHIC OF ABSOLUTE TRUTH. IT APPEARS AS A REVELATION, AS A MOMENTARY, PASSIONATE WISH TO GRASP INTUITIVELY AND AT A STROKE ALL THE LAWS OF THIS WORLD-ITS BEAUTY AND UGLINESS, ITS COMPASSION AND CRUELTY, ITS INFINITY AND ITS LIMITATIONS.
When I speak of poetry I am not thinking of it as a genre. Poetry is an awareness of the world, a particular way of relating to reality. So poetry becomes a philosophy to guide a man throughout his life.
Art would be useless if the world were perfect.
Perhaps the meaning of all human activity lies in the artistic consciousness, in the pointless and selfless creative act? Perhaps our capacity to create is evidence that we ourselves were created in the image and likeness of God?
Above all, I feel that the sounds of this world are so beautiful in themselves that if only we could listen to them properly, cinema would have no need for music at all.
THE ARTISTIC IMAGE IS ALWAYS A METONYM, WHERE ONE THING IS SUBSTITUTED FOR ANOTHER, THE SMALLER FOR THE GREATER. TO TELL OF WHAT IS LIVING, THE ARTIST USES SOMETHING DEAD; TO SPEAK OF THE INFINITE, HE SHOWS THE FINITE.
I don't think you should feel about a film. You should feel about a woman, not a movie. You can't kiss a movie.
If they say they don't like the way I play Beethoven, then I can swallow that, and maybe they're right. But if they don't like what I've written, then it's about me.
Creativity is merely a plus name for regular activity. Any activity becomes creative when the doer cares about doing it right, or better.
All art is a kind of confession.
I can't think of a single one of my plays that does not represent a coincidence between an external and an internal event. Something outside of me, outside even my own life, something I read in a newspaper or witness on the street, something I see or hear, fascinates me. I see it for its dramatic potential.
If we doubt the power of literature and art to civilise, how come no one has ever been mugged by a person carrying a well-thumbed copy of 'Middlemarch' in his back pocket?
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