In an era ruled by materialism and unstable geopolitics, art must be restored to the center of public education.
Camille PagliaRead
All objects, all phases of culture are alive. They have voices. They speak of their history and interrelatedness. And they are all talking at once!
Interpretation
Objects and cultural elements have stories and connections that speak to us all at once.
In this quote, Camille Paglia emphasizes the vibrancy and interconnectedness of cultural artifacts and objects, suggesting they possess their own narratives and histories that communicate with us. This perspective invites us to consider the deeper meanings behind the things we encounter, as they are not just inanimate but are imbued with the essence of the times and contexts from which they originate.
In practice
In a presentation about cultural anthropology, you might use this quote to illustrate the significance of artifacts.
In an era ruled by materialism and unstable geopolitics, art must be restored to the center of public education.
Every month, it is woman's fate to face the abyss of time and being, the abyss which is herself.
Serial or sex murder, like fetishism, is a perversion of male intelligence. It is a criminal abstraction, masculine in its deranged egotism and orderliness. It is the asocial equivalent of philosophy, mathematics, and music. There is no female Mozart because there is no female Jack the Ripper.
The male orientation of classical Athens was inseparable from its genius. Athens became great not despite but because of its misogyny.
We should teach general ethics to both men and women, but sexual relationships themselves must not be policed. Sex, like the city streets, would be risk-free only in totalitarian regimes.
Popular culture is the new Babylon, into which so much art and intellect now flow. It is our imperial sex theater, supreme temple of the western eye. We live in the age of idols. The pagan past, never dead, flames again in our mystic hierarchies of stardom.
Good actors I've worked with all started out making faces in a mirror, and you keep making faces all your life.
There are a couple of strategies for writing about an absence or writing about a loss. One can create the person that was lost, develop the character of the fiancee. There's another strategy that one can employ, maybe riskier... Make the reader suffer the loss of the character in a more literal way.
Poetry confronts in the most clear-eyed way just those emotions which consciousness wishes to slide by.
Walks work for me. I enter some arena that is neither conscious or unconscious.
A person sets out to write a poem for a variety of reasons: to win the heart of his beloved; to express his attitude toward the reality surrounding him, be it a landscape or a state; to capture his state of mind at a given instant; to leave - as he thinks at that moment - a trace on the earth.
When you're a performer, of course you want an audience, but it's very, very different from courting fame.
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