Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a sense of the past.
Susan SontagRead
Photographs are a way of imprisoning reality, understood as recalcitrant, inaccessible; of making it stand still. One can't possess reality, one can possess (and be possessed by) images β as, according to Proust, most ambitious of voluntary prisoners, one can't possess the present but one can possessthe past.
Interpretation
This quote reflects on the nature of photography as a means to capture and hold onto reality, which is otherwise fleeting and elusive.
Susan Sontag's quote explores the paradox of photography: while it allows us to capture moments and memories, it simultaneously indicates that we can never truly hold onto reality itself. Photography serves as a tool for preserving our perceptions of the world, but it highlights the limitations of those images in truly representing the present, as we can only ever refer back to what has already transpired, making us prisoners of our captured past.
In practice
In a presentation on the impact of photography on art appreciation.
Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a sense of the past.
Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.
Gide and I have attained such perfect intellectual communion that I experience the appropriate labor pains for every thought he gives birth to!
Volume depends precisely on the writer's having been able to sit in a room every day, year after year, alone.
In NY sensuality completely turns into sexuality - no objects for the senses to respond to, no beautiful river, houses, people. Awful smells of the street, and dirt... Nothing except eating, if that, and the frenzy of the bed.
It hurts to love. It's like giving yourself to be flayed and knowing that at any moment the other person may just walk off with your skin.
Music should strike fire from the heart of man, and bring tears from the eyes of woman.
I travel in gardens and bedrooms, basements and attics, around corners, through doorways and windows, along sidewalks, over carpets, down drainpipes, in the sky, with friends, lovers, children and heros; perceived, remembered, imagined, distorted and clarified.
The radio has so many rules, and songs don't. You don't necessarily write to a rule book unless you're, like, just doing it professionally, which has never been my thing.
There isnβt any particular relationship between the messages, except that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep. There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.
Art must be an expression of love or it is nothing.
I didnβt know that painters and writers retired. Theyβre like soldiers β they just fade away.
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