The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
Henri Cartier-BressonRead
Photography is an immediate reaction, drawing is a meditation.
Interpretation
Photography captures spontaneous moments while drawing requires thoughtful reflection.
This quote by Henri Cartier-Bresson contrasts two forms of visual art: photography and drawing. It suggests that photography is about capturing the immediacy of a moment, demanding quick reflexes and a keen eye, whereas drawing is a more contemplative process, allowing the artist to meditate on their subject, reflecting deeper thoughts and emotions through careful observation and creation.
In practice
During a photography workshop, to emphasize the nature of capturing moments.
The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.
Photography has not changed since its origin except in its technical aspects, which for me are not important.
Photographier: c'est mettre sur la meme ligne de mire la tete, l'oeil et le coeur.
Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes.
Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing).
Most of Hollywood is about making money - and I love money, but I don't make the films thinking about money.
A vivid image compels the whole body to follow.
One is born to be a dancer. No teacher can work miracles, nor will years of training make a good dancer of an untalented pupil. One may be able to acquire a certain technical facility, but no one can ever 'acquire an exceptional talent.' I have never prided myself on having an unusually gifted pupil. A Pavlova is no one's pupil but God's.
It's always a nice feeling, having people think that you feel things much deeper than you're allowed to say, but this isn't true. If you want to find out what a writer or a cartoonist really feels, look at his work. That's enough.
If you participate in life, you donβt see it clearly: you suffer from it too much or enjoy it too much. The artist, to my way of thinking, is a monstrosity, something outside nature. All the misfortunes Providence inflicts on him come from his stubborness in denying that maxim.
Cinema is not a series of abstract ideas, but rather the phrasing of moments.
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