If you have the guts to be yourself, other people'll pay your price.
John UpdikeRead
But for a few phrases from his letters and an odd line or two of his verse, the poet walks gagged through his own biography.
Interpretation
The quote suggests that a poet's true essence and thoughts are often constrained and cannot be fully expressed through their biography.
John Updike reflects on the limitations of a poet's biography, indicating that much of their inner life and creative spirit remains hidden behind the constraints of biography. While a few selected phrases and lines may convey some part of their artistic identity, the fullness of their experience and creativity cannot be fully captured or understood through mere biographical details.
In practice
In a literary discussion about the limitations of biographical interpretations of artists.
If you have the guts to be yourself, other people'll pay your price.
Dost thou love life? Then do not squander time, for that's the stuff life is made of. _x000D_ _x000D_ Suspect each moment, for it is a thief, tiptoeing away with more than it brings.
Museums and bookstores should feel, I think, like vacant lots - places where the demands on us are our own demands, where the spirit can find exercise in unsupervised play.
But it is just two lovers, holding hands and in a hurry to reach their car, their locked hands a starfish leaping through the dark.
The reader knows the writer better than he knows himself; but the writer's physical presence is light from a star that has moved on.
To guarantee the individual maximum freedom within a social frame of minimal laws ensures - if not happiness - its hopeful pursuit.
The more one studies the harmony of music, and then studies human nature, how people agree and how they disagree, how there is attraction and repulsion, the more one will see that it is all music.
The type of mind that can understand good fiction is not necessarily the educated mind, but it is at all times the kind of mind that is willing to have its sense of mystery deepened by contact with reality, and its sense of reality deepened by contact with mystery.
Visual ideas combined with technology combined with personal interpretation equals photography. Each must hold it's own; if it doesn't, the thing collapses.
Because I don't play guitar any more, African harmonies and rhythms have been an inspiration to me. I love the raw origin of the sound. It complements my voice and words naturally.
Things rust, you know, like the heart. My cardiologist said, 'It's a pump; use it - that's the sole advice I've got to give you.' It's the same in playwriting. Don't theorise about it. Do it.
I just absolutely needed the theatre so desperately - it was my fate; it was where I was running towards. It was the place where I found peace and survival and all kinds of things.
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