Tragedy, for me, is not a conflict between right and wrong, but between two different kinds of right.
Peter ShafferRead
Things rust, you know, like the heart. My cardiologist said, 'It's a pump; use it - that's the sole advice I've got to give you.' It's the same in playwriting. Don't theorise about it. Do it.
Interpretation
Creativity and passion require action rather than overthinking.
Peter Shaffer emphasizes that just as physical things can deteriorate without use, so too can talents and passions fade if they are not actively engaged. His cardiologist's advice serves as a metaphor for creative pursuits: to not dwell too much on theory but to actively create and express oneself through art.
In practice
In a workshop on creativity, I quoted Peter Shaffer to inspire participants to take action in their projects.
Tragedy, for me, is not a conflict between right and wrong, but between two different kinds of right.
I discover what I mean as I write. That can be both terrifically exciting and very dangerous, because when you look at your words later, you wonder, 'Did I really mean that, or am I just making verbal patterns?'
Rehearsing a play is making the word flesh. Publishing a play is reversing the process.
The Normal is the good smile in a child’s eyes - all right. It is also the dead stare in a million adults.
Writing is not a matter of choice. Writers have to write. It is somehow in their temperament, in the blood, in tradition.
Martial arts, like any art, is an unrestricted athletic expression of an individual soul.
It is possible, however, that the artist is both thin-skinned and prophetic and, like the canary lowered into the mine shaft to test the air, has caught a whiff of something lethal.
I keep reminding people that an editorial in rhyme is not a song. A good song makes you laugh, it makes you cry, it makes you think.
In art there are only fast or slow developments. Essentially it is a matter of evolution, not revolution.
The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.
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