The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
Henri Cartier-BressonRead
They ... asked me: 'How do you make your pictures?' I was puzzled ... I said, I don't know, it's not important.
Interpretation
The quote reflects the idea that the process of creation can be mysterious and not always articulable.
Henri Cartier-Bresson's quote expresses the perplexity experienced by artists when asked about their creative process. He suggests that rather than focusing on the method of creating art, the importance lies in the art itself and the emotions it evokes. This embodies the notion that creativity is often an instinctive and ineffable experience, rather than a scientific formula that can be easily explained.
In practice
In an art class, when discussing artistic intuition.
The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.
Photography has not changed since its origin except in its technical aspects, which for me are not important.
Photographier: c'est mettre sur la meme ligne de mire la tete, l'oeil et le coeur.
Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes.
Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing).
I can't think of anything more rewarding than being able to express yourself to others through painting. Exercising the imagination, experimenting with talents, being creative; these things, to me, are truly the windows to your soul.
Poetry is more a threshold than a path.
Every day look at a beautiful picture, read a beautiful poem, listen to some beautiful music, and if possible, say some reasonable thing.
Style is something each of us already has, all we need to do is find it.
Emily Dickinson never developed. She remained loyal to her persona and to that same little metrical song that stood her in such good stead. She is a striking example of complexity within a simple package. Her rhymes are like bows on the package.
Whatever your style or subject matter, in the end, film-making is about searching for authenticity - that is what the audience will divine.
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