Poetry is the art of creating imaginary gardens with real toads.
Marianne MooreRead
In a poem the excitement has to maintain itself. I am governed by the pull of the sentence as the pull of a fabric is governed by gravity.
Interpretation
This quote emphasizes the importance of maintaining excitement and energy in poetry, likening it to the natural forces that govern physical materials.
Marianne Moore's quote highlights the necessity for a poem to sustain its excitement and dynamism throughout its structure. She draws an analogy between the engagement of a sentence in poetry and the physical pull of gravity on fabric, suggesting that the power of language must be compelling and cohesive to resonate authentically with the reader.
In practice
In a poetry workshop, to emphasize the importance of energy in poems to newcomers.
Poetry is the art of creating imaginary gardens with real toads.
Not till the poets among us can be "literalists of the imagination"-above insolence and triviality and can present for inspection, "imaginary gardens with real toads in them." shall we have it.
Originality is... a by-product of sincerity.
It is quite cruel that a poet cannot wander through his regions of enchantment without having a critic, forever, like the old man of the sea, upon his back.
I see no reason for calling my work poetry except that there is no other category in which to put it.
If technique is of no interest to a writer, I doubt that the writer is an artist.
I love performing outside because it's as if the heavens are open and the elements become part of the stage show as well - you know, the wind and the rain and the thunder. It's almost as if there's a sense of invocation in performance.
Ever since I was a child I've always been very attracted to melodies. Whether I hear Jeff Beck, a choir, an ocean or the wind, there's always a melody in there.
When you're a ranchera singer, you represent your country. It's a God-given gift.
Musical composition, about which I know little, is a complicated art, and some contemporary music may be the equivalent of a complex abstract painting.
I won't call my work entertainment. It's exploring. It's asking questions of people, constantly. 'How much do you feel? How much do you know? Are you aware of this? Can you cope with this?' A good movie will ask you questions you don't already know the answers to. Why would I want to make a film about something I already understand?
My first album didn't come out until I was 27, which in pop years is late, you know. But when it came time to arrange it, I became a kid in a toy shop. I had a harp and a saxophone quartet and a symphony orchestra. I went berserk for a time.
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