Poetry is the art of creating imaginary gardens with real toads.
Marianne MooreRead
Originality is... a by-product of sincerity.
Interpretation
Originality stems from being genuine and sincere in one's work.
Marianne Moore's quote suggests that true originality is not an end goal but rather a natural outcome of authentic expression. When individuals create from a place of sincerity, their unique voice emerges, leading to originality that resonates with others.
In practice
This quote can be used in a speech about artistic integrity.
Poetry is the art of creating imaginary gardens with real toads.
Not till the poets among us can be "literalists of the imagination"-above insolence and triviality and can present for inspection, "imaginary gardens with real toads in them." shall we have it.
In a poem the excitement has to maintain itself. I am governed by the pull of the sentence as the pull of a fabric is governed by gravity.
It is quite cruel that a poet cannot wander through his regions of enchantment without having a critic, forever, like the old man of the sea, upon his back.
I see no reason for calling my work poetry except that there is no other category in which to put it.
If technique is of no interest to a writer, I doubt that the writer is an artist.
I don't know exactly how I end up with some of these roles. It mystifies me sometimes, but I am a fan of sci-fi. I love being taken into a strange world, and when it's told with imagination and credibility, I love being taken on that trip. I always have.
I wake up in the morning and my mind starts making sentences, and I have to get rid of them fast - talk them or write them down.
I believe it is in my nature to dance by virtue of the beat of my heart, the pulse of my blood and the music in my mind.
I know now that most people are so closely concerned with themselves that they are not aware of their own individuality, I can see myself, and it has helped me to say what I want to say in paint.
I'm a frotteur, someone who likes to rub words in his hand, to turn them around and feel them, to wonder if that really is the best word possible.
When I discovered the lyric poem, that advanced not by narrative steps but by blocks and layers of imagery, I said, 'Gee, I probably could do that. So let me try that.'
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