But poets were not considered dangerous and they were advised to exercise self-censorship. At most, poets were requested not to write at all. I took advantage of this negative liberty.
Eugenio MontaleRead
The poet does not know - often he will never know - whom he really writes for.
Interpretation
The poet often writes without knowing their true audience or purpose.
Eugenio Montale's quote emphasizes the mysterious and often unconscious nature of artistic creation. Poets and artists may produce works driven by inspiration, emotion, or experience, yet they may be unaware of the specific audience or deeper meanings behind their creations. This speaks to the essence of art as a personal expression that transcends immediate comprehension, resonating with individuals in diverse and unforeseen ways.
In practice
During a poetry reading, one could use this quote to discuss the unpredictable nature of audience reception.
But poets were not considered dangerous and they were advised to exercise self-censorship. At most, poets were requested not to write at all. I took advantage of this negative liberty.
There is poetry even in prose, in all the great prose which is not merely utilitarian or didactic: there exist poets who write in prose or at least in more or less apparent prose; millions of poets write verses which have no connection with poetry.
Mass communication, radio, and especially television, have attempted, not without success, to annihilate every possibility of solitude and reflection.
It has often been observed that the repercussion of poetic language on prose language can be considered a decisive cut of a whip.
I have always knocked at the door of that wonderful and terrible enigma which is life.
For my part, if I consider poetry as an object, I maintain that it is born of the necessity of adding a vocal sound (speech) to the hammering of the first tribal music.
One thing is for sure-none of the arts flourishes on censorship and repression. And by this time it should be evident that the American public is capable of doing its own censoring.
I feel like everything we do comes down to how it looks. Even no branding is branding. For example, you had no face or image to put to my music at first. That was branding.
Novels attempt to render human experience; that's really all they are. They are meant to convey empathy for the character.
I hope that my painting has the impact of giving someone, as it did me, the feeling of his own totality, of his own separateness, of his own individuality.
To me style is just the outside of content, and content the inside of style, like the outside and the inside of the human body - both go together, they can't be separated.
All I ever wanted to do is to write stories that people will enjoy and feel at home with.
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