I'd rather have two good friends, than 500,000 admirers.
E. E. CummingsRead
a poet is someone who is abnormally fond of that precision which creates movement. Which is to say the highest form of concentration possible: fascination; to report on the electrifying experience of being
Interpretation
A poet's precision in language creates a dynamic experience that captures fascination.
E. E. Cummings describes a poet as someone who possesses an unusual appreciation for the precision of language, which not only shapes their work but also gives it life and movement. This precision reflects the ultimate focus and ability to convey the intense emotional experience of existence, suggesting that poetry is not just about words but about the vibrant feelings those words can evoke in the reader.
In practice
In a literary discussion about the essence of poetry.
I'd rather have two good friends, than 500,000 admirers.
I'd rather learn from one bird how to sing than to teach ten thousand stars how not to dance.
It takes courage to grow up and become who you really are.
When god decided to invent everything he took one reath bigger than a circustent and everything began
The Artist is no other than he who unlearns what he has learned, in order to know himself.
Nobody else can be alive for you; nor can you be alive for anybody else.
MORE CONSISTENTLY THAN EVER I WAS TRYING TO MAKE PEOPLE BELIEVE THAT CINEMA AS AN INSTRUMENT OF ART HAS ITS OWN POSSIBILITIES WHICH ARE EQUAL TO THOSE OF PROSE. I WANTED TO DEMONSTRATE HOW CINEMA IS ABLE TO OBSERVE LIFE, WITHOUT INTERFERING, CRUDELY OR OBVIOUSLY, WITH ITS CONTINUITY. FOR THAT IS WHERE I SEE THE POETIC ESSENCE OF CINEMA.
Art is a refining and evocative translation of the materials of the world.
Why not do something strange and different for once? Artists can do whatever they want!
Prose is something that is persistent in staying in one place long enough to not only zero in on the dramatic effect of something that might have happened, or something that might have been seen, but also in watching how it played out and thinking about the cause and the effect.
What comes first? The melody, always. It's all about singing the melodies live in my head. They go in circles. I guess I'm quite conservative and romantic about the power of melodies. I try not to record them on my Dictaphone when I first hear them. If I forget all about it and it pops up later on, then I know it's good enough. I let my subconscious do the editing for me.
I've always believed in writing without a collaborator, because where two people are writing the same book, each believes he gets all the worry and only half the royalties.
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