. . . We love fog because it shifts old anomalies into the elements surrounding them. It gives relief from a way of seeing
Eavan BolandRead
As far as I was concerned, it was the absence of women in the poetic tradition which allowed women in the poems to be simplified. The voice of a woman poet would, I was sure, have precluded such distortion. It did not exist.
Interpretation
The lack of women in poetry has led to a narrow and distorted representation of women in poems.
Eavan Boland reflects on the absence of female voices in poetry and how this absence has contributed to a simplified and distorted portrayal of women in poetic works. She suggests that the inclusion of women poets would have enriched the tradition and provided a more nuanced and authentic representation of women's experiences and identities.
In practice
In a discussion on gender dynamics in literature, this quote can illustrate the need for diverse voices.
. . . We love fog because it shifts old anomalies into the elements surrounding them. It gives relief from a way of seeing
Poetry begins where language starts: in the shadows and accidents of one person’s life.
When I was young, I struggled with authorship: with everything the word meant and failed to mean. Irish poetry was heavy with custom. Sometimes at night, when I tried to write, a ghost hand seemed to hold mine. Where could my life, my language fit in?
There is nothing settled about a poet's identity. The becoming doesn't stop because the being has been achieved. They proceed together, attached in ways that are hard to be exact about.
If a poet does not tell the truth about time, his or her work will not survive it. Past or present, there is a human dimension to time, human voices within it, and human griefs ordained by it.
Our present will become the past of other men and women. We depend on them to remember it with the complexity with which it was suffered. As others, once, depended on us.
Once writing has become your major vice and greatest pleasure only death can stop it.
A mime is a terrible thing to waste.
I really - I don't take my work that seriously, and I think that's what keeps me loose. If I try to write, if I catch myself trying to write, I'll fall right on my face. I'll see it. If I see in the prose that I'm - 'Boy, look at me writing,' I rewrite it. I rewrite it because I don't, because I think it's distracting.
Poetry is rather an approach to things, to life, than it is typographical production.
I would hate to think I am not an amature. An amateur is one who loves what he is doing. Very often, I'm afraid, the professional hates what he is doing. So, I'd rather be an amateur.
The stage is not merely the meeting place of all the arts, but is also the return of art to life.
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