For me, there is a paradox in poetry, which is like the paradox in tragedy. You have the most terrible subject, but it's in a form that is so sensually gratifying that it connects the surviving heart to the despairing intellect.
Tony HarrisonRead
I hate being called poet/dramatist/translator/director. 'Poet' covers it all for me.
Interpretation
The term 'poet' encompasses all aspects of Tony Harrison's creative identity.
In this quote, Tony Harrison expresses a preference for the term 'poet' over other labels like dramatist, translator, or director. He believes that the essence of his work as a poet inherently includes the skills and creativity required in these other roles, thus making the broader label more fitting.
In practice
In a speech about the importance of artistic roles, one might quote Harrison to emphasize the unifying power of poetry.
For me, there is a paradox in poetry, which is like the paradox in tragedy. You have the most terrible subject, but it's in a form that is so sensually gratifying that it connects the surviving heart to the despairing intellect.
Theatre has to be theatrical. It has to draw attention to itself, like poetry.
There's a kind of despair about whether art can really do anything, but you have to incorporate that despair into the way you work. I try to soak my work in my sense of futility and fury.
To have the ability to withdraw into oneself and forget everything around one when one is creating - What, I think is the only requirement for being able to bring forth something beautiful. The whole thing is - a mystery.
What's important is the way we say it. Art is all about craftsmanship. Others can interpret craftsmanship as style if they wish. Style is what unites memory or recollection, ideology, sentiment, nostalgia, presentiment, to the way we express all that. It's not what we say but how we say it that matters.
The flavor of wine is like delicate poetry.
The film project has been “twenty years of constipation,” and he likens the Hollywood process to “trying to grill a steak by having a succession of people coming into the room and breathing on it.”
There are moments when the body is as numinous as words, days that are the good flesh continuing. Such tenderness, those afternoons and evenings, saying blackberry, blackberry, blackberry.
I see myself first and foremost as a student of expression.
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