For me, there is a paradox in poetry, which is like the paradox in tragedy. You have the most terrible subject, but it's in a form that is so sensually gratifying that it connects the surviving heart to the despairing intellect.
Tony HarrisonRead
I hate being called poet/dramatist/translator/director. 'Poet' covers it all for me.
Interpretation
The term 'poet' encompasses all aspects of Tony Harrison's creative identity.
In this quote, Tony Harrison expresses a preference for the term 'poet' over other labels like dramatist, translator, or director. He believes that the essence of his work as a poet inherently includes the skills and creativity required in these other roles, thus making the broader label more fitting.
In practice
In a speech about the importance of artistic roles, one might quote Harrison to emphasize the unifying power of poetry.
For me, there is a paradox in poetry, which is like the paradox in tragedy. You have the most terrible subject, but it's in a form that is so sensually gratifying that it connects the surviving heart to the despairing intellect.
Theatre has to be theatrical. It has to draw attention to itself, like poetry.
There's a kind of despair about whether art can really do anything, but you have to incorporate that despair into the way you work. I try to soak my work in my sense of futility and fury.
People always ask what a book is about, as if it has to be about something. I don't want to write books that lend themselves to that sort of description. My books are more a kind of breaking-down.
Mere color, unspoiled by meaning, and unallied with definite form, can speak to the soul in a thousand different ways.
What did it mean for a black woman to be an artist in our grandmothers' time? In our great-grandmothers' day? It is an answer cruel enough to stop the blood.
I feel like my music has become a lot of things. It's hard to label the evolution, but I like there to be an evolution. I just like to paint with all different kinds of colors.
The subject of drama is The Lie. At the end of the drama THE TRUTH -- which has been overlooked, disregarded, scorned, and denied -- prevails. And that is how we know the Drama is done.
You don't have to know anything about a subject as long as you use common sense and imagination, plus enthusiasm! I use all periods of design in my work, for, after all, decorative styles are simply indications of a manner of living.
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