Man adapts himself to everything, to the best and the worst.
Poetry is adolescence fermented, and thus preserved.
Interpretation
What this quote means
The quote suggests that poetry captures the essence of youthful experiences and emotions, allowing them to be preserved over time.
Jose Ortega Y Gasset's quote presents poetry as a form of expression that distills the complexities and passions of youthβoften associated with a time of growth and discovery. By referring to poetry as 'adolescence fermented,' he implies that poetry allows these fleeting, vibrant feelings to mature and be retained in a way that resonates with both the individual and society, thus preserving the beauty and intensity of youthful experiences for generations.
Themes
In practice
Example use cases
This quote can be used in a speech about the importance of art in capturing human experiences.
More from Jose Ortega Y Gasset
All quotes β"Natural" man is always there, under the changeable historical man. We call him and he comes-a little sleepy, benumbed, without his lost form of instinctive hunter, but, after all, still alive. Natural man is first prehistoric man-the hunter.
We have not reached ethical perfection in hunting. One never achieves perfection in anything, and perhaps it exists precisely so that one can never achieve it. Its purpose is to orient our conduct and to allow us to measure the progress accomplished. In this sense, the advancement achieved in the ethics of hunting is undeniable.
I am myself and what is around me, and if I do not save it, it shall not save me.
We fall in love when our imagination projects nonexistent perfection upon another person. One day, the fantasy evaporates and with it, love dies.
Life is a terrible conflict, a grandiose and atrocious confluence. Hunting submerges man deliberately in that formidable mystery and therefore contains something of religious rite and emotion in which homage is paid to what is divine, transcendent, and in the laws of Nature.
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A good producer brings out the best in the artist he's working with. You shouldn't be able to listen to something and say, 'So-and-so produced this album.'
If anyone should want to know my name, I am called Leah. And I spend all my time weaving garlands of flowers with my fair hands, t o please me when I stand before the mirror; my sister Rachel sits all the day long before her own, and never moves away. She loves to contemplate her lovely eyes; I love to use my hands to adorn myself: her joy is in reflection, mine in act.
The root of any film project for me is this inner need to express something. What nurtures this root and makes it grow into a tree is the script. What makes the tree bear flowers and fruit is the directing.