Auden said poetry makes nothing happen. But I wonder if the opposite could be true. It could make something happen.
Carol Ann DuffyRead
You can find poetry in your everyday life, your memory, in what people say on the bus, in the news, or just what's in your heart.
Interpretation
Everyday moments can hold beauty and inspiration.
Carol Ann Duffy suggests that poetry is not solely confined to literature but can be discovered in the mundane aspects of daily life, such as conversations, memories, and emotions. This invitation to recognize the poetic elements in everyday experiences encourages individuals to appreciate the beauty and artistry that surrounds them daily.
In practice
To inspire creativity in a workshop, I might say, 'Remember, you can find poetry in your everyday life.'
Auden said poetry makes nothing happen. But I wonder if the opposite could be true. It could make something happen.
You have me like a drawing, erased, coloured in, untitled, signed by your tongue.
Poetry, above all is a series of intense moments Β its power is not in narrative. I'm not dealing with facts, I'm dealing_x000D_ with emotion.
I have piles of poetry books in the bathroom, on the stairs, everywhere. The only way to write poetry is to read it.
The moment of inspiration can come from memory, or language, or the imagination, or experience - anything that makes an impression forcibly enough for language to form.
Poetry and prayer are very similar.
If you take blue paint and yellow paint and you mix them, you get green paint. But if you take blue light and yellow light and mix them, you get white light. This is a shock to most people.
Artistically I am still a child with a whole life ahead of me to discover and create. I want something, but I won't know what it is until I succeed in doing it.
Music is the framework around the silence.
If you write fiction, you're by yourself. There are certain advantages to that in that you don't have to explain anything to anybody. But when you get in with others who share the loneliness of the whole enterprise, you're not lonely anymore.
My style says, 'Look at me, don't look at me.'
To create anything β whether a short story or a magazine profile or a film or a sitcom β is to believe, if only momentarily, you are capable of magic. These essays are about that magic β which is sometimes perilous, sometimes infectious, sometimes fragile, sometimes failed, sometimes infuriating, sometimes triumphant, and sometimes tragic. I went up there. I wrote. I tried to see.
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