It's absolutely crucial to maintain my life as a poet.
Edward HirschRead
When poetry separates from song, then the words have to carry all the rhythm themselves; they have to do all the work. They can't rely on the singing voice.
Interpretation
Poetry must convey its own rhythm and emotion without the aid of music.
In this quote, Edward Hirsch reflects on the relationship between poetry and song, emphasizing that when poetry stands alone without the support of melody, it becomes essential for the words themselves to generate their own rhythm and emotional resonance. This highlights the power of language and the responsibility of the poet to create a compelling experience purely through text.
In practice
In a literary discussion about the evolution of poetry, one might use this quote to illustrate the shift from musical forms to written expressions.
It's absolutely crucial to maintain my life as a poet.
The commitment to working at poetry is important because a poet is a maker, and a poem is a made thing. We have to honor our feelings by working to transform them into something meaningful and lasting.
As far as I'm concerned, freedom is the most important thing to creativity. You should feel free to write in whatever way, whatever language, feels comfortable to you.
The idea that a poem was a made thing stayed with me, and I decided then that I wanted to be an artist, not just a diarist. So I put myself through a kind of apprenticeship in writing poetry, and I understood even then that my practice as a poet was deeply related to my reading.
And every year there is a brief, startling moment _x000D_ When we pause in the middle of a long walk home and _x000D_ Suddenly feel something invisible and weightless _x000D_ Touching our shoulders, sweeping down from the air: _x000D_ It is the autumn wind pressing against our bodies; _x000D_ It is the changing light of fall falling on us.
The idea of a poem as a message in a bottle means that it's sent out towards some future reader, and the reader who opens that bottle becomes the addressee of the literary text.
In music, what is very important is temporality of space and length, based on the breathing space the director gives the music within the film, by separating the music from various elements of reality, like noises, dialogues... That's how you treat music properly, but it doesn't always happen this way. Music is often blamed, but it's not its fault.
My aim is to put down on paper what I see and what I feel in the best and simplest way.
When I stand and contemplate my fate and see the path along which you have led me, I reach my end, for artless I surrendered to one who is my undoing and my end.
When I'm writing a book, sentence by sentence, I'm not thinking theoretically. I'm just trying to work out the story from inside the characters I've got.
Every artist is an unhappy lover. And unhappy lovers want to tell their story.
I paint mostly from real life. It has to start with that. Real people, real street scenes, behind the curtain scenes, live models, paintings, photographs, staged setups, architecture, grids, graphic design. Whatever it takes to make it work.
Subscribe for the occasional hand-picked quote. No noise.