There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
Kehinde WileyRead
There is something that always will be true about painting and sculpture - that in order to really get it, you have to show up. That is something that is both sad and kind of beautiful about it. It remains analog. It remains special and irreducible.
Interpretation
Engaging with art requires presence and genuine participation, making it a unique and meaningful experience.
Kehinde Wiley's quote emphasizes the importance of being physically present to truly appreciate art, such as painting and sculpture. This necessity for direct engagement highlights the inherent beauty and the irreplaceable, tangible nature of these art forms, suggesting that they evoke deeper emotions and connections when experienced in person rather than through digital or reduced forms.
In practice
In an art class, the teacher might say this quote to encourage students to engage more deeply with their work.
There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
This idea that my work is about hip-hop is a little reductive. What I'm interested in is the performance of masculinity, the performance of ethnicity, and how they intermingle across cultures.
What is portraiture? It's choice. It's the ability to position your body in the world for the world to celebrate you on your own terms.
The ability to be the first African-American painter to paint the first African-American president of the United States is absolutely overwhelming. It doesn't get any better than that.
Painting is about the world that we live in. Black men live in the world. My choice is to include them.
What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture.
I would wish my portraits to be of the people, not like them. Not having a look of the sitter, being them.
Fiction is to the grown man what play is to the child; it is there that he changes the atmosphere and tenor of his life.
Art defies defeat by its very existence, representing the celebration of life, in spite of all attempts to degrade and destroy it.
When I was a mailman, writing songs was my escape from the regular world, and now writing songs is my job. And I've always been one to avoid my job.
My life, my reading, everything about me revolves around the cinema. So for me, cinema is life, and vice-versa.
I wonder if I can write this history, or if on every page there will be some sneaking show of a bitterness I thought long dead. I think myself cured of all spite, but when I touch pen to paper, the hurt of a boy bleeds out with the sea-spawned ink, until I suspect each carefully formed black letter scabs over some ancient scarlet wound.
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