You live in a deranged age, more deranged that usual, because in spite of great scientific and technological advances, man has not the faintest idea of who he is or what he is doing.
It is possible, however, that the artist is both thin-skinned and prophetic and, like the canary lowered into the mine shaft to test the air, has caught a whiff of something lethal.
Interpretation
What this quote means
Artists often perceive deeper truths and emotions that may go unrecognized by others, and this sensitivity can be both a gift and a burden.
Walker Percy suggests that artists possess a unique sensitivity that allows them to sense truths about their environment and society that might be overlooked by others. This heightened awareness can be prophetic, akin to a canary in a coal mine that signals danger, but it can also leave the artist vulnerable to the emotional weight of these insights, which can feel overwhelming and potentially damaging.
Themes
In practice
Example use cases
In a speech about the importance of art in society, one might quote Percy to highlight the artist's role in expressing uncomfortable truths.
More from Walker Percy
All quotes →They all think any minute I'm going to commit suicide. What a joke. The truth of course is the exact opposite: suicide is the only thing that keeps me alive. Whenever everything else fails, all I have to do is consider suicide and in two seconds I'm as cheerful as a nitwit. But if I could not kill myself -- ah then, I would. I can do without nembutal or murder mysteries but not without suicide.
Why is it that one can look at a lion or a planet or an owl or at someone's finger as long as one pleases, but looking into the eyes of another person is, if prolonged past a second, a perilous affair?
We love those who know the worst of us and don't turn their faces away.
Before, I wandered as a diversion. Now I wander seriously and sit and read as a diversion.
Since grief only aggravates your loss, grieve not for what is past.
Similar quotes
Poetry most often communicates emotions, not directly, but by creating imaginatively the grounds for those emotions. It therefore communicates something more than the emotion; only by means of that something more does it communicate the emotion at all.
I have wasted the greater part of my life looking for money and trying to get along, trying to make my work from this terribly expensive paintbox, which is a movie. And I've spent too much energy on things that have nothing to do with making a movie. It's about two percent moviemaking and ninety-eight percent hustling. It's no way to spend a life.
Never before had a woman put such agonizing poetry on canvas as Frida did
The writer is both a sadist and a masochist. We create people we love, and then we torture them. The more we love them, and the more cleverly we torture them along the lines of their greatest vulnerability and fear, the better the story. Sometimes we try to protect them from getting booboos that are too big. Don’t. This is your protagonist, not your kid.
In vain have oceans been squandered on you, in vain the sun, wonderfully seen through Whitman’s eyes. You have used up the years and they have used up you, and still, and still, you have not written the poem.
My greatest joy comes from creativity: from feeling that I have been able to identify a certain aspect of human nature and crystallise a phenomenon in words.