You live in a deranged age, more deranged that usual, because in spite of great scientific and technological advances, man has not the faintest idea of who he is or what he is doing.
It is possible, however, that the artist is both thin-skinned and prophetic and, like the canary lowered into the mine shaft to test the air, has caught a whiff of something lethal.
Interpretation
What this quote means
Artists often perceive deeper truths and emotions that may go unrecognized by others, and this sensitivity can be both a gift and a burden.
Walker Percy suggests that artists possess a unique sensitivity that allows them to sense truths about their environment and society that might be overlooked by others. This heightened awareness can be prophetic, akin to a canary in a coal mine that signals danger, but it can also leave the artist vulnerable to the emotional weight of these insights, which can feel overwhelming and potentially damaging.
Themes
In practice
Example use cases
In a speech about the importance of art in society, one might quote Percy to highlight the artist's role in expressing uncomfortable truths.
More from Walker Percy
All quotes →They all think any minute I'm going to commit suicide. What a joke. The truth of course is the exact opposite: suicide is the only thing that keeps me alive. Whenever everything else fails, all I have to do is consider suicide and in two seconds I'm as cheerful as a nitwit. But if I could not kill myself -- ah then, I would. I can do without nembutal or murder mysteries but not without suicide.
Why is it that one can look at a lion or a planet or an owl or at someone's finger as long as one pleases, but looking into the eyes of another person is, if prolonged past a second, a perilous affair?
We love those who know the worst of us and don't turn their faces away.
Before, I wandered as a diversion. Now I wander seriously and sit and read as a diversion.
Since grief only aggravates your loss, grieve not for what is past.
Similar quotes
Cinema is consistently making a claim to particular memories, histories, ways of life, identities, and values that always presuppose some notion of difference, community, and the future. Given that films both reflect and shape public culture, they cannot be defined exclusively through a notion of artistic freedom and autonomy that removes them from any form of critical accountability.
My dread is for my show to be a nostalgia act. So the key to it is how do we keep it fresh?
I have always held the old-fashioned opinion that the primary object of work of fiction should be to tell a story.
There is only one valuable thing in art: the thing you cannot explain.
I teach my sighs to lengthen into songs.
Every time you write a poem it’s apocalyptic. You’re revealing who you really are to yourself.