I'll tell you something, and this is true: I've never been able to write a film which I didn't respect. I just can't do it. I'm very happy about all the films I haven't done.
Harold PinterRead
Quite simply, my writing life has been one of relish, challenge, excitement.
Interpretation
The creative journey of writing is filled with both joy and obstacles.
Harold Pinter reflects on his writing career as a rich tapestry woven with diverse experiences. He emphasizes that the act of writing brings not only enjoyment but also challenges and excitement, highlighting the complex emotions intertwined in the creative process.
In practice
During a writer's workshop, this quote can inspire participants to embrace both the joys and difficulties of their craft.
I'll tell you something, and this is true: I've never been able to write a film which I didn't respect. I just can't do it. I'm very happy about all the films I haven't done.
All that happens is that the destruction of human beings - unless they're Americans - is called collateral damage.
I do tend to think that I've written a great deal out of my unconscious because half the time I don't know what a given character is going to say next.
I never think of myself as wise. I think of myself as possessing a critical intelligence which I intend to allow to operate.
It's so easy for propaganda to work, and dissent to be mocked.
There are places in my heart...where no living soul...has...or can ever...trespass.
When I land in a country and they ask for 'occupation,' I always just put 'artist.' I think that covers all of it.
There have been times when I'm writing about things that are personally embarrassing. Like any human being, sometimes I can't help but wonder - 'What are the people I know going to think about this?' So I have to remind myself that all is permissible. Art has to be a free space. Language has to be a free space.
Magic becomes art when it has nothing to hide.
The person whose work introduced me to the craft was Lorraine Hansberry. The person who taught me to love the craft was Tennessee Williams. The person who really taught me the power of the craft was August Wilson, and the person who taught me the political heft of the craft was Arthur Miller.
And I don't feel any form of music is beyond me in the sense of that I don't understand it or I don't have some love for some part of it.
There is not a special imposition on writers to be activists. All that does is encourage writers to write propaganda. Propaganda can be written by anybody, including dictators.
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