In apartments and cottages, on the street and in the train... I listen... More and more, I turn into one large ear, always turning to another person.
Svetlana AlexievichRead
Real people speak in my books about the main events of the age, such as the war, the Chernobyl disaster, and the downfall of a great empire.
Interpretation
The quote emphasizes the importance of documenting real events and voices through literature.
Svetlana Alexievich's quote reflects her belief that literature should capture the real voices of people experiencing significant historical events. By including real narratives about wars, disasters, and societal changes, she aims to provide a deeper understanding of the human experiences behind major events that shape our world.
In practice
In a book club discussion about contemporary literature, this quote can be used to highlight the significance of real-life events in storytelling.
In apartments and cottages, on the street and in the train... I listen... More and more, I turn into one large ear, always turning to another person.
The subjects I wanted to write about - the mystery of the human soul, evil - didn't interest newspapers, and news reporting bored me.
'Women's' war has its own colors, its own smells, its own lighting, and its own range of feelings. There are no heroes and incredible feats; there are simply people who are busy doing inhumanly human things.
There is no need to give in to the compromise that totalitarian regimes always count on.
I've been searching for a genre that would be most adequate to my vision of the world to convey how my ear hears and my eyes see life. I tried this and that, and finally, I chose a genre where human voices speak for themselves. But I don't just record a dry history of events and facts; I'm writing a history of human feelings.
From the point of view of art, the butcher and the victim are equal as people. You need to see the people.
There she weaves by night and day, A magic web with colors gay. She has heard a whisper say, A curse is on her if she stay, To look down to Camelot. She knows not what the curse may be, And so she weaveth steadily, And little other care hath she, The Lady of Shalott.
But then, so far as I know, I am the only performer who ever pledged his assistants to secrecy, honor and allegiance under a notarial oath.
Pianists call me a composer, composers call me a pianist. The classicists think me a futurist, and the futurists call me a reactionary.
Acting is different from stand-up. It gives you this ability to enter into another character, to create another person.
The great problem was the selection of the readymade. I needed to choose an object without it impressing me: that is to say, without it providing any sort of aesthetic delectation. Moreover, I needed to reduce my own personal taste to absolute zero.
Give me artificial flowers - porcelain and metal glories - neither fading nor decaying, forms unaging. Flowers of the splendid gardens of another place, where Forms and Styles and Knowledge dwell. I love flowers made of glass or gold, true Art's true gifts, their painted hues more beautiful than nature's, worked in nacre and enamel, with perfect leaves and branches.
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