There’s this thing called progress. But it doesn’t progress. It doesn’t go anywhere. Because as progress progresses the world can slip away. It’s progress if you can stop the world slipping away. My humble model for progress I the reclamation of land. Which is repeatedly, never-ending retrieving what it lost. A dogged and vigilant business. A dull yet valuable business. A hard, inglorious business. But you shouldn’t go mistaking the reclamation of land for the building of empires.
Realism; fatalism; phlegm. To live in the Fens is to receive strong doses of reality. The great flat monotony of reality; the wide empty space of reality. Melancholia and self-murder are not unknown in the Fens. Heavy drinking, madness and sudden acts of violence are not uncommon. How do you surmount reality, children? How do you acquire, in a flat country, the tonic of elevated feelings?
Interpretation
What this quote means
This quote reflects on the harsh realities of life in a desolate landscape and the struggle to find hope and elevation in such an environment.
Graham Swift's reflection on life in the Fens highlights the stark and often grim reality of existence in a flat, monotonous landscape. He paints a picture of a place where melancholy and despair are common, prompting the question of how one can rise above such bleakness and find uplifting feelings amid the overwhelming emptiness. The quote suggests that confronting harsh realities is inevitable, but finding a way to navigate them toward more elevated emotions is essential for resilience.
Themes
In practice
Example use cases
This quote can be used in a discussion about mental health and coping mechanisms.
More from Graham Swift
All quotes →What does education do, what does it have to offer, when deprived of its necessary partner, the future, and face instead with - no future at all?
Ah, children, pity level-crossing keepers, pity lock-keepers - pity lighthouse-keepers - pity all the keepers of this world (pity even school teachers), caught between their conscience and the bleak horizon.
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Written forms obscure our view of language. They are not so much a garment as a disguise.