There's that bubble of childhood that makes you innocently do anything. Then, when you get older, that pops, and you're aware of limitations and judgment and social pressures and things like that.
Pete DocterRead
It's really, always, the story and the characters that come first, and the other things are kind of dealt with in time or, in fact, driven by the story.
Interpretation
The essence of storytelling lies in the narrative and its characters rather than technical details.
Pete Docter emphasizes that in the realm of storytelling, the core components are the story and the characters. These elements take precedence, while other aspects can be addressed as the narrative unfolds, highlighting the importance of a strong narrative foundation in any creative endeavor.
In practice
A filmmaker might use this quote to emphasize the importance of character development in a script workshop.
There's that bubble of childhood that makes you innocently do anything. Then, when you get older, that pops, and you're aware of limitations and judgment and social pressures and things like that.
I wanted to make sure that 'Up' wasn't a 3D movie about a man who sails his house to South America. It's a movie about an old man who sails his house to South America that also happens to be in 3D. So the first thing is always the story.
With sadness specifically, in America you read about people medicating to avoid sadness. They don't want to experience sadness, and yet it's such a vital part of being human.
It's like you run into this dark tunnel, trusting that somewhere there's another end to it where you're going to come out. And there's a point in the middle where it's just dark. There's no light from where you came in and there's no light at the other end; all you can do is keep running. And then you start to see a little light, and a little more light, and then, bam! You're out in the sun.
I wanted to use what I was, to be what I was born to be - not to have a 'career', but to be that straightforward obvious unmistakable animal, a writer.
When Basquiat was hanging out with Madonna and Fab Five Freddy, and all those worlds were colliding, people have to realize hip-hop and the arts were like this 'cause we both were outcasts: we wasn't allowed inside the galleries or inside Yankee Stadium. We were writing in the street and making music.
We have lit upon the gentle, sensitive mind And lost the old nonchalance of the hand; Whether we have chosen chisel, pen or brush, We are but critics, or but half create.
For the canons of good society are, or should be, the same as the canons of art. Form is absolutely essential to it.
As authors evolve and try to trace the precedents that have shaped their work, it sometimes becomes a matter of identifying the shadowy figure in the back row of the mental photograph, or of grabbing at the tail of a memory that's just slipping out the window into thin air.
I believe that filmmaking - as, probably, is everything - is a game you should play with all your cards, and all your dice, and whatever else you've got. So, each time I make a movie, I give it everything I have. I think everyone should, and I think everyone should do everything they do that way.
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