The wars don't end when you sign peace treaties or when the years go by. They will echo on until I'm gone and all the widows and orphans are gone.
Tim O'BrienRead
Above all, a well-imagined story is organized around extraordinary human behaviors and unexpected and startling events, which help illuminate the commonplace and the ordinary.
Interpretation
A compelling story reveals extraordinary human actions and surprising events that shed light on everyday life.
Tim O'Brien's quote emphasizes the power of storytelling in highlighting exceptional human behaviors and unforeseen occurrences that can transform our understanding of the ordinary aspects of life. By organizing a narrative around these elements, a well-crafted story not only captivates its audience but also encourages them to reflect on their own experiences and the significance of the mundane.
In practice
During a writing workshop, I shared this quote to discuss the importance of compelling narratives.
The wars don't end when you sign peace treaties or when the years go by. They will echo on until I'm gone and all the widows and orphans are gone.
...you find yourself studying the fine colors on the river, you feel wonder and awe at the setting of the sun, and you are filled with a hard, aching love for how the world could be and always should be, but now is not.
Unlike Chicago or New York, small-town Minnesota did not allow a man's failings to disappear beneath a veil of numbers. People talked. Secrets did not stay secret.
Place is so important to me. The Midwest is like a ghost in my life. It's present as I look out the window now. I see Texas, but if I close my eyes and look out the same window, I'm back in my hometown in Worthington, Minnesota, and I cherish those values and that diction.
In fiction workshops, we tend to focus on matters of verisimilitude largely because such issues are so much easier to talk about than the failure of imagination.
War is a fundamental aspect of human existence. It's good to know what war entails and what the human sacrifice is.
Art is not ideology. It is completely impossible to explain art on the basis of the homological relation that it is supposed to maintain with the real of history. The aesthetic process decentres the specular relation with which ideology perpetuates its closed infinity. The aesthetic effect is certainly imaginary; but this imaginary is not the reflection of the real, since it is the real of this reflection.
Every paint-stroke takes you farther and farther away from your initial concept. And you have to be thankful for that.
Dance is not endangered - it will always find a way to express itself.
What makes a good book? Scholars and critics have been debating that question for decades. I like books that touch my head and my heart at the same time.
There's only two givens with choosing acting as a profession: one is you will always be unemployed, always, and it doesn't matter how much money you make, you're still always going to be unemployed; and that you have no power.
All great art is born of the metropolis.
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