There was no really good true war book during the entire four years of the war. The only true writing that came through during the war was in poetry. One reason for this is that poets are not arrested as quickly as prose writers.
Interpretation
Poetry captures the true essence of war more effectively than prose, due to the freedom poets have in expressing their thoughts.
In this quote, Hemingway reflects on the inadequacy of prose in conveying the reality of war compared to poetry. He suggests that prose writers often face censorship and can be silenced, while poets, who express deeper emotional truths, can share their experiences without as much risk. This distinction highlights the unique power of poetry to communicate profound insights about human experiences, especially in times of conflict.
In practice
During a reading of war literature, one could use this quote to emphasize the role of poets in voicing the truth of their experiences.
He no longer dreamed of storms, nor of women, nor of great occurrences, nor of great fish, nor fights, nor contests of strength, nor of his wife. He only dreamed of places now and the lions on the beach. They played like young cats in the dusk and he loved them as he loved the boy. He never dreamed about the boy. He simply woke, looked out the open door at the moon and unrolled his trousers and put them on.
How did you go bankrupt?" Two ways. Gradually, then suddenly.
When you have shot one bird flying you have shot all birds flying. They are all different and they fly in different ways but the sensation is the same and the last one is as good as the first.
There is never any ending to Paris and the memory of each person who has lived in it differs from that of any other. We always returned to it no matter who we were or how it was changed or with what difficulties, or ease, it could be reached. Paris was always worth it and you received return for whatever you brought to it. But this is how Paris was in the early days when we were very poor and very happy.
Wine is the most civilized thing in the world.
There is no rule on how to write. Sometimes it comes easily and perfectly; sometimes it's like drilling rock and then blasting it out with charges.
All books are either dreams or swords, you can cut, or you can drug, with words.
I've been asked this question so many times, do you feel you need to write a book for adults? No, I don't need to write a book for adults.
Jane Austen's books, too, are absent from this library. Just that one omission alone would make a fairly good library out of a library that hadn't a book in it.
The language of my books has shaped me as a man.
Not very good, I am afraid. But now really, do not you think Udolpho the nicest book in the world?" "The nicest—by which I suppose you mean the neatest. That must depend upon the binding.
The light that radiates from the great novels time can never dim, for human existence is perpetually being forgotten by man and thus the novelists' discoveries, however old they may be, will never cease to astonish.
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