Balm of the summer night, balm of the ordinary, imperial joy and sorrow of human existence, the dreamed as well as the lived— what could be dearer than this, given the closeness of death?
Louise GluckRead
The Red Poppy The great thing is not having a mind. Feelings: oh, I have those; they govern me. I have a lord in heaven called the sun, and open for him, showing him the fire of my own heart, fire like his presence. What could such glory be if not a heart? Oh my brothers and sisters, were you like me once, long ago, before you were human? Did you permit yourselves to open once, who would never open again? Because in truth I am speaking now the way you do. I speak because I am shattered.
Interpretation
This quote reflects on the nature of feelings and the deeper connection we have with existence and others.
Louise Glück's quote explores the significance of emotions and their governance over our lives, as well as the intrinsic connection to nature and the divine. It suggests that genuine expression and vulnerability are essential aspects of humanity, prompting us to remember a time when we were more open and connected to our true selves and the essence of existence.
In practice
In a speech about mental health awareness, this quote can illustrate the importance of embracing our feelings.
Balm of the summer night, balm of the ordinary, imperial joy and sorrow of human existence, the dreamed as well as the lived— what could be dearer than this, given the closeness of death?
I pretended indifference…even in the presence of love, in the presence of hunger. And the more deeply I felt, the less able I was to respond.
I caution you as I was never cautioned: You will never let go, you will never be satiated. You will be damaged and scarred, you will continue to hunger. Your body will age, you will continue to need. You will want the earth, then more of the earth-- Sublime, indifferent, it is present, it will not respond. It is encompassing, it will not minister. Meaning, it will feed you, it will ravish you. It will not keep you alive.
He takes her in his arms He wants to say I love you, nothing can hurt you But he thinks this is a lie, so he says in the end You're dead, nothing can hurt you which seems to him a more promising beginning, more true.
Toward his critics, the artist harbors a defensive ace: knowledge that the future will erase the present.
I preferred the simplest vocabulary.
When we make mistakes, we can use the process of NVC mourning and self-forgiveness to show us where we can grow instead of getting caught up in moralistic self-judgments.
You're buying years of work, toil in the sun; you're buying a sorrow that can't talk.
If you fail to take advantage of your enemies' collapse, they may recover.
I'm not better than anyone, and I'm not trying to convince people to live by my standards of what's right. I'm trying to convince them to live by their own.
This grieved me heartily ; and now I saw, though too late, the folly of beginning a work before we count the cost, and before we judge rightly of our own strength to go through with it.
For in the end, it is all about memory, its sources and its magnitude, and, of course, its consequences.
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