There is one thing that freezes a musician more than the deadliest physical cold, and that is the spiritual chill of an unresponsive audience!
John Philip SousaRead
The red and white and starry blue _x000D_ Is freedom's shield and hope.
Interpretation
This quote symbolizes the colors of the American flag as representations of freedom and hope.
John Philip Sousa's quote emphasizes the significant role that the colors red, white, and blue play in representing the ideals of freedom and hope in the American context. These colors are not merely aesthetic but carry deep patriotic symbolism, serving as a reminder of the nation's values and the sacrifices made for liberty.
In practice
In a speech commemorating Independence Day.
There is one thing that freezes a musician more than the deadliest physical cold, and that is the spiritual chill of an unresponsive audience!
Dance as though no one is watching. Love as though you've never been hurt. Sing as though no one can hear you. Live as though heaven is on earth.
Remember always that the composer's pen is still mightier than the bow of the violinist; in you lie all the possibilities of the creation of beauty.
Jazz will endure just as long people hear it through their feet instead of their brains.
Anybody can write music of a sort. But touching the public heart is quite another thing.
The fantasy that appeals most to people is the kind that's rooted thoroughly in somebody looking around a corner and thinking, 'What if I wandered into this writer's people here?' If you've done your job and made your people and your settings well enough, that adds an extra dimension that you can't buy.
I landed a job with Roger Corman. The job was to write the English dialogue for a Russian science fiction picture. I didn't speak any Russian. He didn't care whether I could understand what they were saying; he wanted me to make up dialogue.
If I had a talent, it was for looking askew at everything, possibly more than my contemporaries. But I had to really push myself to be a writer.
This is the very coinage of your brain: this bodiless creation ecstasy.
As a director you have to be careful you don't over-design the film. You have to be careful that the period aspect does not take over.
When I am asked about influences, I always say I bow down to Fred Astaire, because when you look at him dancing you never look at his extremities, do you? You look at his centre. What you never see is the hours of work that went into the routines, you just see the breathtaking spirit and freedom.
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