An art which isn't based on feeling isn't an art at all... feeling is the principle, the beginning and the end; craft, objective, technique - all these are in the middle.
Paul CezanneRead
Right now a moment of time is fleeting by! Capture its reality in paint! To do that we must put all else out of our minds. We must become that moment, make ourselves a sensitive recording plate...Give the image of what we actually see, forgetting everything that has been seen before our time.
Interpretation
The quote emphasizes the importance of seizing the present moment to create art and truly experiencing it without distractions.
Paul Cezanne urges artists to immerse themselves in the present moment, capturing reality as it is through their art. He suggests that to genuinely reflect one's surroundings, artists must set aside past influences and embrace the unique beauty of the current experience, allowing their work to be a true and sensitive representation of what they see.
In practice
An artist shared this quote during a workshop on capturing landscapes.
An art which isn't based on feeling isn't an art at all... feeling is the principle, the beginning and the end; craft, objective, technique - all these are in the middle.
Taste is the best judge. It is rare. Art only addresses itself to an excessively small number of individuals.
Monet is only an eye, but my God, what an eye!
If I were called upon to define briefly the word Art, I should call it the reproduction of what the senses preceive in nature, seen through the veil of the soul.
The landscape thinks itself in me and I am its consciousness.
I lack the magnificent richness of color that animates nature.
I am the luckiest old broad on two feet if the truth were known. It's - but it all goes back to 'Mary Tyler Moore,' 'Golden Girls,' all those - actors love to take the credit. We couldn't do it without the writers.
Wagner’s music is better than it sounds.
It is only by presenting those portions of the race in my pictures, in the light and backround of their true state, that we can raise our people to greater heights.
I wanted to use what I was, to be what I was born to be - not to have a 'career', but to be that straightforward obvious unmistakable animal, a writer.
I really believe that if you practice enough you could paint the 'Mona Lisa' with a two-inch brush.
I've seen my own blood and broken a few bones. I've been hit, which isn't an entirely bad thing, as at least you have a glimpse of the suffering endured by the people you are photographing. And in a sense, crumbling empires and war have been with me all my life.
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