Put light against light - you have nothing. Put dark against dark - you have nothing. It's the contrast of light and dark that each give the other one meaning.
Bob RossRead
I really believe that if you practice enough you could paint the 'Mona Lisa' with a two-inch brush.
Interpretation
With enough practice, anyone can achieve greatness in their craft.
Bob Ross emphasizes the importance of practice and dedication, suggesting that skill is attainable for anyone willing to put in the effort. The quote metaphorically uses the 'Mona Lisa', a masterpiece of art, to illustrate that even the most daunting tasks can be conquered with persistence and hard work.
In practice
In a motivational speech about pursuing arts, one could say this quote to inspire creativity.
Put light against light - you have nothing. Put dark against dark - you have nothing. It's the contrast of light and dark that each give the other one meaning.
Everyday's a good day when you paint
Ever make mistakes in life? Let's make them birds. Yeah, they're birds now.
We don't make mistakes; we just have happy accidents.
I don't know if anything in nature ever grows exactly the same, but they are always exactly as the way it should be, perfectly itself.
We show people that anybody can paint a picture that they're proud of. It may never hang in the Smithsonian, but it will certainly be something that they'll hang in their home and be proud of. And that's what it's all about.
Any landscape is a condition of the spirit.
It's hell writing and it's hell not writing. The only tolerable state is having just written.
As nearly as possible in the spirit of Matthew Salinger, age one, urging a luncheon companion to accept a cool lima bean, I urge my editor, mentor and (heaven help him) closest friend, William Shawn, genius domus of The New Yorker, lover of the long shot, protector of the unprolific, defender of the hopelessly flamboyant, most unreasonably modest of born great artist-editors to accept this pretty skimpy-looking book.
A grain of poetry suffices to season a century.
You want the story to be about something, have some deeper meaning, but there is also an emotional, almost instinctual, element, which is, does this story seize some part of you and compel you to get to the bottom of it?
A writer's job is to imagine everything so personally that the fiction is as vivid as memories.
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