We took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.
Kazuo IshiguroRead
I keep thinking about this river somewhere, with the water moving really fast. And these two people in the water, trying to hold onto each other, holding on as hard as they can, but in the end it's just too much. The current's too strong. They've got to let go, drift apart. That's how it is with us. It's a shame, Kath, because we've loved each other all our lives. But in the end, we can't stay together forever.
Interpretation
This quote reflects on the inevitability of separation in relationships despite deep love.
In this poignant expression, the author uses the metaphor of a river to illustrate how strong currents can represent the forces that pull people apart, even when there is a deep bond. The imagery of two people struggling to hold onto each other amidst the powerful flow highlights the themes of love, struggle, and the acceptance of life's impermanence, suggesting that sometimes love is not enough to keep people together as circumstances change.
In practice
A heartfelt speech at a wedding that acknowledges the complexity of lasting love.
We took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.
You need to remember that. If you’re to have decent lives, you have to know who you are and what lies ahead of you, every one of you.
What I'm not sure about, is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we've lived through, or feel we've had enough time.
If you were a boy and a girl and you were in love with each other, really, properly in love, and if you could show it, then the people who run Hailsham, they sorted it out for you. They sorted it out so you could have a few years together before you began your donations.
We all live inside bodies that will deteriorate. But when you look at human beings, they're capable of very decent things: love, loyalty. When time is running out, they don't care about possessions or status. They want to put things right if they've done wrong.
Screenplays I didn't really care about, journalism, travel books, getting my writer friends to write about their dreams or something. I just determined to write the books I had to write.
To speak frankly, I am not in favour of long engagements. They give people the opportunity of finding out each other's character before marriage, which I think is never advisable.
Relationships don't thrive because the guilty are punished but because the innocent are merciful.
We have to consciously study how to be tender with each other until it becomes a habit because what was native has been stolen from us, the love of Black women for each other.
People are not as nice as they used to be. There used to be a time when we conversed. You don't get a lot of real responses now. They used to be more polite and well-mannered people, generally. It's minimal now.
I never met a man that I didn't like.
It was as if my father had given me, by way of temperament, an impossibly wild, dark, and unbroken horse. It was a horse without a name, and a horse with no experience of a bit between its teeth. My mother taught me to gentle it; gave me the discipline and love to break it; and- as Alexander had known so intuitively with Bucephalus- she understood, and taught me, that the beast was best handled by turning it toward the sun.
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