I am a member of the Muskogee people. I'm a poet, a musician, a dreamer of sorts, a questioner. Like everyone else, I'm looking for answers of some sort or the other.
Joy HarjoRead
When you play a sax, that saxophone is irreverent. It's noisy; it's a trickster... you cannot hide the saxophone in your hands, so it's a good teacher.
Interpretation
The saxophone embodies freedom and spontaneity, teaching us about authenticity and self-expression.
In this quote, Joy Harjo emphasizes the saxophone's vibrant and carefree nature, suggesting that playing this instrument is about embracing its loudness and unpredictability. The saxophone serves as a metaphor for artistic expression and individuality, teaching us not to hide our true selves but rather to celebrate our uniqueness.
In practice
During a music class about improvisation, remind students of Harjo's quote to encourage uniqueness.
I am a member of the Muskogee people. I'm a poet, a musician, a dreamer of sorts, a questioner. Like everyone else, I'm looking for answers of some sort or the other.
It's important as a writer to do my art well and do it in a way that is powerful and beautiful and meaningful, so that my work regenerates the people, certainly Indian people, and the earth and the sun. And in that way we all continue forever.
A story matrix connects all of us._x000D_ There are rules, processes, and circles of responsibility in this world. And the story begins exactly where it is supposed to begin. We cannot skip any part.
You just go where poetry is, whether it's in your heart or your mind or in books or in places where there's live poetry or recordings.
Bottom line, I have to follow what my soul says, or my spirit. And my spirit said that poetry and the arts should be without borders, should be without political borders.
I don't like this romanticization of Indian people in which Indian people are looked at as spiritual saviors, as people who have always taken care of the land. We're human beings. But I think different cultures have developed different aspects of humanness.
I am always trying to 'preserve' things by getting other people to read what I have written, and feel what I felt.
The poet does not know - often he will never know - whom he really writes for.
The fun for me musically is that you never quite know what works and why. So why pretend you do? Why not just put things together and discover, in the creative process, if and why they work? That approach has served me well.
It is only by drawing often, drawing everything, drawing incessantly, that one fine day you discover to your surprise that you have rendered something in its true character.
I don't consider writing a quiet, closet act._x000D_ I consider it a real physical act._x000D_ When I'm home writing on the typewriter, I go crazy._x000D_ I move like a monkey._x000D_ I've wet myself, I've come in my pants writing.
Whenever you listen to a piece of music, what you are actually doing is hearing the latest sentence in a very long story youβve been listening to - all the pieces of music youβve ever heard.
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