I make clothes, women make fashion.
There is a sensuality about fabric. I think all materials should be inviting when they touch the skin. When I watch children stroking their mother's clothes, I feel that I have succeeded.
Interpretation
What this quote means
The quote emphasizes the tactile and emotional connection people have with fabrics and materials, especially in relation to comfort and intimacy.
Azzedine Alaia reflects on the intimate relationship that humans have with textiles, suggesting that fabric should be designed to be inviting and pleasurable to touch. He highlights the joy and success he feels when observing children interacting with their mothers' clothing, indicating that the softness and sensuality of fabric evoke feelings of warmth and security, reinforcing the bond between individuals.
Themes
In practice
Example use cases
This quote could be used in a fashion design presentation to emphasize the importance of tactile experiences in clothing.
More from Azzedine Alaia
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Music is forever; music should grow and mature with you, following you right on up until you die.
Writing begins in the body, it is the music of the body, and even if the words have meaning, can sometimes have meaning, the music of the words is where the meanings begin....Writing as a lesser form of dance.
But poets were not considered dangerous and they were advised to exercise self-censorship. At most, poets were requested not to write at all. I took advantage of this negative liberty.
As authors evolve and try to trace the precedents that have shaped their work, it sometimes becomes a matter of identifying the shadowy figure in the back row of the mental photograph, or of grabbing at the tail of a memory that's just slipping out the window into thin air.
It's wonderful to see art in a museum, but it is institutionalised. I don't like the idea of the artwork as something that requires special conditions. I would like it to be universal.
Looking, touching, material, place and form are all inseparable from the resulting work. It is difficult to say where one stops and another begins. The energy and space around a material are as important as the energy and space within. The weather--rain, sun, snow, hail, mist, calm--is that external space made visible. When I touch a rock, I am touching and working the space around it. It is not independent of its surroundings, and the way it sits tells how it came to be there.