Being in ballet class, being on the stage, being surrounded by my peers at American Ballet Theater every day, keeps me so humble and grounded. Being in ballet class, I feel, is like this meditation for me every morning.
Misty CopelandRead
I say over and over again that I am just standing on the shoulders of so many who have set this path for me, and they may not be seen or recognized or have been given an opportunity to have a voice, but I'm here representing all of those dancers. Dance Theatre of Harlem Virginia Johnson, Tai Jimenez, Lauren Anderson.
Interpretation
The quote emphasizes the importance of acknowledging the contributions of others in one's achievements.
Misty Copeland expresses gratitude for those who have paved the way for her success in the dance world. She highlights the idea that her accomplishments are not solely hers, but are built upon the foundation laid by many talented individuals who may not have received recognition. By citing the names of influential figures in her journey, she underscores the collective effort and sacrifice of her predecessors in the art of dance.
In practice
In a speech at a dance gala, to highlight teamwork and appreciation for mentors.
Being in ballet class, being on the stage, being surrounded by my peers at American Ballet Theater every day, keeps me so humble and grounded. Being in ballet class, I feel, is like this meditation for me every morning.
Perseverance has always just been something that was in me. And it was a tool that came in very handy as a ballerina.
It's all so surreal, and I'm living my dream. And you know, principal or not, I'm getting to dance all the roles that I've dreamed of doing.
Be strong, be fearless, be beautiful. And believe that anything is possible when you have the right people there to support you.
It's hard to be the one that stands out when, you know, in a ballet company, you're trying to create unison and uniform when you're in a corps de ballet.
I've always approached my career and my life, you know, one day at a time, as if this was the last day that I'm going, because you never know as an athlete and as a dancer. You never know what can happen today, tomorrow.
You move just a finger, say the slightest word, something's bound to linger-be heard.
All good, clean stories are melodrama, it's just the set of devices that determines how you show or hide it.
In terms of helping people understand and know each other a little better, music is universal - universal and transporting.
You can watch someone on-stage cry and cry - but in the audience you feel nothing. It's easy to become indulgent. For me, what's important is the story first.
The violinist is that peculiarly human phenomenon distilled to a rare potency---half tiger,half poet.
When I first began choreographing, I never thought of it as choreography but as expressing feelings. Though every piece is different, they are all trying to get at certain things that are difficult to put into words. In the work, everything belongs to everything else - the music, the set, the movement and whatever is said.
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