Utopia is in the moment. Not in some future time, some other place, but in the here and now, or else it is nowhere.
Alfred StieglitzRead
It is not art in the professionalized sense about which I care, but that which is created sacredly, as a result of a deep inner experience, with all of oneself, and that becomes 'art' in time.
Interpretation
The quote emphasizes the importance of personal, authentic experiences in creating art over professional definitions of art.
Alfred Stieglitz suggests that true art is not defined by professional standards or the art world but arises from an individual's profound inner experiences. The value of art lies in its authenticity and the emotional investment of the creator, which can lead to its recognition as art over time.
In practice
In a speech about creativity, one might quote this to emphasize the value of personal experience in artistic endeavors.
Utopia is in the moment. Not in some future time, some other place, but in the here and now, or else it is nowhere.
In photography there is a reality so subtle that it becomes more real than reality.
The fight for photography became my life.
A woman artist could be one of those intuitive geniuses [who] have kept their childlike spirit and have added to it breadth of vision and experience.
There is nothing so wrong as accepting a thing merely because men who have done things say it should be so.
There are many schools of painting. Why should there not be many schools of photographic art? There is hardly a right and a wrong in these matters, but there is truth, and that should form the basis of all works of art.
Fool," said my muse to me. "Look in thy heart and write.
Photographing expresses human desire to preserve passing time. It is like a man struggling with time that elapses, and in general - a desire to preserve oneself.
I think photographs should be provocative and not tell you what you already know. It takes no great powers or magic to reproduce somebody's face in a photograph. The magic is in seeing people in new ways.
Producing is a way of finding a great script that nobody's making, and believing in it, and doing what you can to get it made. It lets you work with your friends, people you really love to do something with.
In making movies, time is so short-because it is so expensive-that we tend to neglect the place from which the best ideas come, namely that part of ourselves that dreams. The unconscious is our best collaborator.
The non-artists among us are always terribly busy, but finally disappear without a trace.
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