Not since the Lord himself showed his stuff to Ezekiel in the valley of dry bones had anyone brought such grace and skill to the reconstruction of animals from disarticulated skeletons. Charles R. Knight, most celebrated of artists in the reanimation of fossils, painted all the canonical figures of dinosaurs that fire our fear and imagination to this day.
Interpretation
The quote emphasizes the artistic skill involved in reconstructing dinosaurs from fossils, comparing it to a biblical moment of transformation.
Stephen Jay Gould highlights the remarkable artistry of Charles R. Knight, who masterfully depicted dinosaurs through his reconstructions of their skeletal remains. By linking Knight's work to a profound biblical reference, Gould illustrates the blend of science and art in bringing to life creatures that once roamed the Earth, evoking both wonder and fear in our imaginations.
In practice
In a museum exhibit about dinosaurs, you could use this quote to discuss the artistry behind fossil reconstructions.
The human mind delights in finding pattern—so much so that we often mistake coincidence or forced analogy for profound meaning. No other habit of thought lies so deeply within the soul of a small creature trying to make sense of a complex world not constructed for it.
Some evolutionists will protest that we are caricaturing their view of adaptation. After all, do they not admit genetic drift, allometry, and a variety of reasons for nonadaptive evolution?
Nothing is more dangerous than a dogmatic worldview - nothing more constraining, more blinding to innovation, more destructive of openness to novelty.
Wind back the tape of life to the early days of the Burgess Shale; let it play again from an identical starting point, and the chance becomes vanishingly small that anything like human intelligence would grace the replay.
I am, somehow, less interested in the weight and convolutions of Einstein’s brain than in the near certainty that people of equal talent have lived and died in cotton fields and sweatshops.
For Dawkins, evolution is a battle among genes, each seeking to make more copies of itself. Bodies are merely the places where genes aggregate for a time.
All art deals with the absurd and aims at the simple. Good art speaks truth, indeed is truth, perhaps the only truth.
Photographs are a way of imprisoning reality, understood as recalcitrant, inaccessible; of making it stand still. One can't possess reality, one can possess (and be possessed by) images — as, according to Proust, most ambitious of voluntary prisoners, one can't possess the present but one can possessthe past.
When you play a videogame, you could be a completely different person than you are in the real world, certain aspects of the way your brain works can be leveraged for something you could never do in the real world.
You say grace before meals. All right. But I say grace before the concert and the opera, and grace before the play and pantomime, and grace before I open a book, and grace before sketching, painting, swimming, fencing, boxing, walking, playing, dancing and grace before I dip the pen in the ink.
[The artist] is like a pump; he has inside him a great pipe that reaches down into the entrails of things, the deepest layers. He sucks up what was lying there below, dim and unnoticed, and brings it in great jets to the sunlight.
The poem is sad because it wants to be yours, and cannot be.
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