A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
Robert SmithsonRead
The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.
Interpretation
This quote reflects on the negative impact of urban expansion on the environment and societal structures.
Robert Smithson's quote critiques the uncontrolled growth of urban developments that emerged after the war, suggesting that such expansion leads to disorder and deterioration, which he calls the 'architecture of entropy.' By emphasizing the chaotic nature of human development and the resulting effects on the landscape, Smithson encourages a deeper reflection on how modern living spaces may contribute to cultural and environmental degradation.
In practice
During a talk on urban planning, one might quote this to highlight the consequences of unchecked development.
A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us
Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future
A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.
You can have the other words-chance, luck, coincidence, serendipity. I'll take grace. I don't know what it is exactly, but I'll take it.
The solemn pledge to abstain from telling the truth was called socialist realism.
The solution of the problem of life is life itself. Life is not attained by reason and analysis but first of all by living.
Of what significance is one's existence, one is basically unaware. What does a fish know about the water in which he swims all his life? The bitter and the sweet come from outside. The hard from within, from one's own efforts. For the most part I do what my own nature drives me to do. It is embarrassing to earn such respect and love for it.
But to manipulate men, to propel them toward goals which you-the social reformers-see, but they may not, is to deny their human essence, to treat them as objects without wills of their own, and therefore to degrade them.
One time, I was given an essay topic: to describe a perfect horse, whom the mere sight of the rider's whip would make obedient. I depicted this perfect horse throwing his rider at the sight of the whip.
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