A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
Robert SmithsonRead
The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.
Interpretation
This quote reflects on the negative impact of urban expansion on the environment and societal structures.
Robert Smithson's quote critiques the uncontrolled growth of urban developments that emerged after the war, suggesting that such expansion leads to disorder and deterioration, which he calls the 'architecture of entropy.' By emphasizing the chaotic nature of human development and the resulting effects on the landscape, Smithson encourages a deeper reflection on how modern living spaces may contribute to cultural and environmental degradation.
In practice
During a talk on urban planning, one might quote this to highlight the consequences of unchecked development.
A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us
Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future
A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.
'Melancholy' is prettier than 'depression'; it connotes a kind of nocturnal grace. Makes one feel more innocently beleaguered.
For many of the world's conflicts, it is difficult even to conjure up a feasible settlement.
The answer is, who you are cannot be defined through thinking or mental labels or definitions, because it's beyond that. It is the very sense of being, or presence, that is there when you become conscious of the present moment. In essence, you and what we call the present moment are, at the deepest level, one.
I am not, in the ordinary acceptation of the term, a good-natured man; that is, many things annoy me besides what interferes with my own ease and interest. I hate a lie; a piece of injustice wounds me to the quick, though nothing but the report of it reach me. Therefore I have made many enemies and few friends; for the public know nothing of well-wishers, and keep a wary eye on those who would reform them.
Philosophers should consider the fact that the greatest happiness principle can easily be made an excuse for a benevolent dictatorship. We should replace it by a more modest and more realistic principle - the principle that the fight against avoidable misery should be a recognized aim of public policy, while the increase of happiness should be left, in the main, to private initiative.
If you are leaving that sorrowful place with hate and anger against men, you are worthy of compassion; if you leave it with good will, gentleness and peace, you are better than any of us.
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