A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
Robert SmithsonRead
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us
Interpretation
The juxtaposition of modern art in historical contexts alters its perception and cultural significance.
This quote highlights the relationship between art and its environment, suggesting that when contemporary sculptures are situated in historical settings, they are influenced by the existing cultural and political ideals of the past. This interplay not only transforms the way the modern work is perceived but also calls attention to the values and aesthetics of the era it inhabits, ultimately reflecting changes in societal norms and beliefs over time.
In practice
During an art exhibition, one might use this quote to discuss the impact of historical context on modern art.
A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future
The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.
A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.
I think that the job of poetry, its political job, is to refresh the idea of justice, which is going dead in us all the time.
Every time you work, you have to do it all over again, to rid yourself of this dross. I suppose for a person who is not an artist or not attempting art, it is not dross, because it is the common exchange of everyday life.
In any society, the artist has a responsibility. His effectiveness is certainly limited and a painter or writer cannot change the world. But they can keep an essential margin of non-conformity alive. Thanks to them the powerful can never affirm that everyone agrees with their acts. That small difference is important.
I deeply wished I could make the stars all come down and breathe them; disappear in them
I am scared; I don't know what is going to happen to me. What was the point of working so hard and of being talented, to be rewarded like this? Never a penny, tormented all my life. It is horrible; one cannot imagine it.
Sun-bleached bones were most wonderful against the blue - that blue that will always be there as it is now after all man's destruction is finished.
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