I believe that no matter what you do in life, if you learn the basics through theater, it will help you in everything else - problem solving, communication, discipline, all of that stuff.
Laura LinneyRead
You can watch someone on-stage cry and cry - but in the audience you feel nothing. It's easy to become indulgent. For me, what's important is the story first.
Interpretation
Emotional performances can sometimes lack impact if the audience is not engaged with the story being told.
Laura Linney emphasizes the importance of storytelling in performances, suggesting that mere displays of emotion do not resonate with the audience unless they are connected to a compelling narrative. She points out that while visual expressions of sorrow might be apparent, they can be indulgent and fail to evoke any feelings if the underlying story does not captivate the audience's interest.
In practice
In a discussion on the impact of theater and film, one could cite this quote to emphasize the importance of a strong narrative.
I believe that no matter what you do in life, if you learn the basics through theater, it will help you in everything else - problem solving, communication, discipline, all of that stuff.
I used to play flute and clarinet at school, and although I wasn't thinking about making a living or getting a pay cheque, I already knew I was going to play music all my life.
My notion of a great novel is something like a five-hundred-page shaggy-dog story, with only the punch line omitted.
Dialogue must appear realistic without being so. Actual realism-the lifting, as it were, of passages from a stenographer's take-down of a 'real life' conversation-would be disruptive. Of what? Of the illusion of the novel. In 'real life' everything is diluted; in the novel everything is condensed.
Television is an invention that permits you to be entertained in your living room by people you wouldn't have in your home.
When I watch a movie, someone's beauty isn't what engages me: it's what's going on internally. And I imagine it's what the audience thinks, too.
I always feel that a viewer has an expectation about every moment of the film and where it's going, so if I act against that, I've created a twist. In fact, it becomes a kind of game with the expectations of the viewer. This is the superficial appearance. In the layer beneath, there is a hidden theme.
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