Whether you like it or not, a child really connects you to that time when everything's new. It's so important - not just for artistic endeavors, but for humanity.
Tim BurtonRead
I started to do stop-motion when I was a kid. You take a Super 8 and make some models, and move, click, move, click. All that. I love all forms of animation, but there is something unique and special to stop-motion: it's more real and the set is lit like a set. But I think it's also a kind of lonely and dark thing to want to do.
Interpretation
The quote reflects on the unique and personal nature of stop-motion animation, highlighting its artistic value and the solitude in creating it.
Tim Burton shares his childhood fascination with stop-motion animation, emphasizing its distinctive qualities compared to other forms of animation. He expresses a deep appreciation for the realism and meticulous lighting involved in the craft, while also recognizing the solitary and introspective aspects of pursuing such an art form, suggesting that it can evoke a sense of loneliness.
In practice
In a speech about the evolution of film techniques, one could use this quote to highlight the artist's journey in animation.
Whether you like it or not, a child really connects you to that time when everything's new. It's so important - not just for artistic endeavors, but for humanity.
Things that I grew up with stay with me. You start a certain way, and then you spend your whole life trying to find a certain simplicity that you had. It's less about staying in childhood than keeping a certain spirit of seeing things in a different way.
I think of Ray Harryhausen's work - I knew his name before I knew any actor or director's names. His films had an impact on me very early on, probably even more than Disney. I think that's what made me interested in animation: His work.
Don't worry about how you 'should' draw it. Just draw it the way you see it.
I am the shadow on the moon at night/Filling your dreams to the brim with fright.
Anybody with artistic ambitions is always trying to reconnect with the way they saw things as a child.
If you are wiling to do something that might not work, you are closer to being an artist.
When you hear Bach or Mozart, you hear perfection. Remember that Bach, Mozart and Beethoven were great improvisers. I can hear that in their music.
I want to be as though newborn. To be almost primitive.
I've been searching for a genre that would be most adequate to my vision of the world to convey how my ear hears and my eyes see life. I tried this and that, and finally, I chose a genre where human voices speak for themselves. But I don't just record a dry history of events and facts; I'm writing a history of human feelings.
For a writer, you definitely do not want to be in the mainstream. You want to be on the edge because that's where the vantage point is. That's where you can see.
Creation is in part merely the business of forgoing the great and small distractions.
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