People have to start talking to know more about other cultures and to understand each other.
Martin ScorseseRead
There is something particularly unique about the films of Hong Sang-soo...it's got to do with his masterful sense of storytelling... as the critic Manny Farber once said of Hitchcock's ROPE Hong Sang-soo's pictures unpeel like an orange.
Interpretation
This quote highlights the unique storytelling style of filmmaker Hong Sang-soo, emphasizing his ability to reveal layers in his narratives.
Martin Scorsese describes Hong Sang-soo's films as notable for their unique approach to storytelling, comparing this quality to the way one would peel an orange. This metaphor suggests that his films disclose their depths gradually, inviting viewers to explore and appreciate the intricate layers of his narratives, much like savoring the segments of an orange.
In practice
In a film discussion panel about the nuances of storytelling in cinema.
People have to start talking to know more about other cultures and to understand each other.
Eradicating a religion of kindness is, I think, a terrible thing for the Chinese to attempt.
I think all the great studio filmmakers are dead or no longer working. I don't put myself, my friends, and other contemporary filmmakers in their category. I just see us doing some work.
I always say that I've been in a bad mood for maybe 35 years now. I try to lighten it up, but that's what comes out when you get me on camera.
The cinema began with a passionate, physical relationship between celluloid and the artists and craftsmen and technicians who handled it, manipulated it, and came to know it the way a lover comes to know every inch of the body of the beloved. No matter where the cinema goes, we cannot afford to lose sight of its beginnings.
Very often I've known people who wouldn't say a word to each other, but they'd go to see movies together and experience life that way.
Realism should only be the means of expression of religious genius... or, at the other extreme, the artistic expressions of monkeys which are quite satisfied with mere imitation. In fact, art is never realistic though sometimes it is tempted to be. To be really realistic a description would have to be endless.
So, in some ways, the political songs tend to be a bit more like reportage, whereas the love songs tend to be like novels, you can pick them up off the shelf and go into them any time.
It is wrong if nearly every time we hear a black or Asian actor portraying their lives they are actually speaking the words of someone who has never experienced their reality. And to effectively silence disabled people from telling their own truth on film or TV is close to criminal and will not help wider society understand their reality.
I don't believe that poetry is in danger because nobody wants to read it or appreciate it. There is a tremendous audience for it on any given day or night. You just have to know where to look.
The writer is both a sadist and a masochist. We create people we love, and then we torture them. The more we love them, and the more cleverly we torture them along the lines of their greatest vulnerability and fear, the better the story. Sometimes we try to protect them from getting booboos that are too big. Don’t. This is your protagonist, not your kid.
This element of surprise or mystery — the detective element as it is sometimes rather emptily called — is of great importance in a plot. It occurs through a suspension of the time-sequence; a mystery is a pocket in time, and it occurs crudely, as in "Why did the queen die?" and more subtly in half-explained gestures and words, the true meaning of which only dawns pages ahead. Mystery is essential to a plot, and cannot be appreciated without intelligence.
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