To have something to say is a question of sleepless nights and worry and endless ratiocination of subject - of endless trying to dig out the essential truth, the essential justice. As a first premise you have to develop a conscience and if on top of that you have talent so much the better. But if you have talent without the conscience, you are just one of many thousands of journalists.
Interpretation
True worth in communication comes from a combination of conscience and talent.
This quote emphasizes the importance of having a strong moral compass (conscience) when expressing oneself. Fitzgerald suggests that while talent in writing or journalism is significant, it is not enough on its own; without a conscience, one risks becoming just another voice in the crowd, lacking the depth and integrity that comes from grappling with profound truths and moral considerations.
In practice
A speaker discussing the ethics of journalism at a conference could use this quote to underscore the importance of moral responsibility.
Don't be so anxious about it,' she laughed. 'I'm not used to being loved. I wouldn't know what to do; I never got the trick of it.' She looked down at him, shy and fatigued. 'So here we are. I told you years ago that I had the makings of Cinderella.' He took her hand; she drew it back instinctively and then replaced it in his. 'Beg your pardon. Not even used to being touched. But I'm not afraid of you, if you stay quiet and don't move suddenly.
The test of a first-rate intelligence is the ability to hold two opposed ideas in mind at the same time and still retain the ability to function.
It was about then [1920] that I wrote a line which certain people will not let me forget: "She was a faded but still lovely woman of twenty-seven."
The words seemed to bite physically into Gatsby.
But you can love more than just one person, can't you?
A sudden gust of rain blew over them and then another - as if small liquid clouds were bouncing along the land. Lightning entered the sea far off and the air blew full of crackling thunder. The table cloths blew around the pillars. They blew and blew and blew. The flags twisted around the red chairs like live things, the banners were ragged, the corners of the table tore off through the burbling billowing ends of the cloths.
Sometimes people let the same problem make them miserable for years when they could just say, "So what." "My mother didn't love me." So what. "My husband won't ball me. So what. "I'm a success but I'm still alone." So what. I don't know how I made it through all the years before I learned how to do that trick. It took a long time for me to learn it, but once you do, you never forget.
All your life you think 60 is ancient, and all of a sudden you find you're 60 and you don't really feel that different. I feel stronger and more engaged. This is the best time of my life.
The idea hovered and shimmered delicately, like a soap bubble, and she dared not even look at it directly in case it burst. But she was familiar with the way of ideas, and she let it shimmer, looking away, thinking about something else.
The squirrel that you kill in jest, dies in earnest.
The most powerful way to manifest is through subtle intention and choiceless awareness-inten d to let go and flow.
In dwelling, live close to the ground._x000D_ _x000D_ In thinking, keep to the simple._x000D_ _x000D_ In conflict, be fair and generous._x000D_ _x000D_ In governing, don't try to control._x000D_ _x000D_ In work, do what you enjoy._x000D_ _x000D_ In family life, be completely present.
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