When it's time to let go, I don't look back, and I start another project as soon as possible. One thing I remind myself is that I don't want to Photoshop my past.
Wong Kar-WaiRead
Sometimes, when you're on the streets, certain music inspires you, and then you have a vision. But, at the end of the day, it's a synthesis of visions, so you have to think, as a director, of a scene, or how to deliver a line, or how do this visually.
Interpretation
Creative feelings often arise from music, leading to visual storytelling.
This quote highlights the interplay between music and visual art, indicating that inspiration can come from various sources. Wong Kar-Wai emphasizes the necessity for directors to synthesize these inspirations into a cohesive visual narrative, demonstrating that creativity requires both emotional input and thoughtful consideration of how best to communicate a scene.
In practice
This quote can inspire filmmakers during a creative workshop.
When it's time to let go, I don't look back, and I start another project as soon as possible. One thing I remind myself is that I don't want to Photoshop my past.
To make films, it always begins with two words: what and how. First of all, you have to find a story, or what are you going to tell? And you have to find a way to tell it visually.
This is what the difference is between Hong Kong and Chinese cinema - Chinese cinema was made for their own communities. It was for propaganda. But Hong Kong made films to entertain, and they know how to communicate with international audiences.
What makes international cinema so interesting is that each territory has its own sensibility. When you look at an Indian or French film, there's a certain flavor. And even though the language is different, if the film is successful, it has something very common and understandable.
Chinese martial artists consider themselves to be gardeners, and it's an honor for them to take care of this garden, to better it and hand it over to the generations that follow. I think that's a very important message in a time when personal achievement seems to be the only criteria of success.
My films are never about what Hong Kong is like, or anything approaching a realistic portrait, but what I think about Hong Kong and what I want it to be.
I always considered, with every shoot, I was on trial; every time I pick up my camera and start out on the relationship, I am at degree zero. There is no coasting.
Styles come and go. Good design is a language, not a style.
Poetry allies itself with beauty - a supreme union - but never uses it as its ultimate goal or sole nourishment.
Perhaps things are most beautiful when they are not quite real; when you look upon a scene as an outsider, and come to possess it in its entirety and forever; when you live in the present with the lucidity and feeling of memory; when, for want of connection, the world deepens and becomes art.
You should go from place to place recovering the poems that have been written for you to which you can affix your signature. Don't discuss these matters with anyone. Retrieve. Retrieve. When the basket is full someone will appear to whom you can present it.
All art is a kind of confession, more or less oblique. All artists, if they are to survive, are forced, at last, to tell the whole story, to vomit the anguish up.
Subscribe for the occasional hand-picked quote. No noise.