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Sometimes, when you're on the streets, certain music inspires you, and then you have a vision. But, at the end of the day, it's a synthesis of visions, so you have to think, as a director, of a scene, or how to deliver a line, or how do this visually.
Wong Kar-Wai
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Interpretation

What this quote means

Creative feelings often arise from music, leading to visual storytelling.

This quote highlights the interplay between music and visual art, indicating that inspiration can come from various sources. Wong Kar-Wai emphasizes the necessity for directors to synthesize these inspirations into a cohesive visual narrative, demonstrating that creativity requires both emotional input and thoughtful consideration of how best to communicate a scene.

Themes

MusicInspirationVisionArtDirecting

In practice

Example use cases

This quote can inspire filmmakers during a creative workshop.

More from Wong Kar-Wai

When it's time to let go, I don't look back, and I start another project as soon as possible. One thing I remind myself is that I don't want to Photoshop my past.
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To make films, it always begins with two words: what and how. First of all, you have to find a story, or what are you going to tell? And you have to find a way to tell it visually.
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This is what the difference is between Hong Kong and Chinese cinema - Chinese cinema was made for their own communities. It was for propaganda. But Hong Kong made films to entertain, and they know how to communicate with international audiences.
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What makes international cinema so interesting is that each territory has its own sensibility. When you look at an Indian or French film, there's a certain flavor. And even though the language is different, if the film is successful, it has something very common and understandable.
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Chinese martial artists consider themselves to be gardeners, and it's an honor for them to take care of this garden, to better it and hand it over to the generations that follow. I think that's a very important message in a time when personal achievement seems to be the only criteria of success.
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My films are never about what Hong Kong is like, or anything approaching a realistic portrait, but what I think about Hong Kong and what I want it to be.
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