It is enough for a poet to be the guilty conscience of his age.
Saint-John PerseRead
Poetry allies itself with beauty - a supreme union - but never uses it as its ultimate goal or sole nourishment.
Interpretation
Poetry embraces beauty but does not solely rely on it for its purpose.
This quote by Saint-John Perse suggests that while poetry is deeply connected to beauty, the essence of poetry transcends mere aesthetic appreciation. Instead of using beauty as its only source of inspiration, poetry seeks deeper meanings and truths, engaging with emotions and experiences that go beyond the surface.
In practice
In a poetry workshop, to emphasize the depth of poetry, I could quote 'Poetry allies itself with beauty - a supreme union - but never uses it as its ultimate goal or sole nourishment.'
It is enough for a poet to be the guilty conscience of his age.
In truth, every creation of the mind is first of all 'poetic' in the proper sense of the word; and inasmuch as there exists an equivalence between the modes of sensibility and intellect, it is the same function that is exercised initially in the enterprises of the poet and the scientist.
The poet existed among the cave men; he will exist among men of the atomic age, for he is an inherent part of man. Even religions have been born from the need for poetry, which is a spiritual need, and it is through the grace of poetry that the divine spark lives forever in the human flint.
Just as our eyes need light in order to see, our minds need ideas in order to create.
I've spent so much of my life examining the smallest details. In some ways, it's where I feel most at home. For me, it's super-important to understand all of the different nuances of light and shade. But if you can't paint in primary colours, no one's going to listen to your songs, because they need to feel like something.
The actor cannot afford to look only to his own life for all his material nor pull strictly from his own experience to find his acting choices and feelings.
I've come to understand that art is awesome and beautiful because it's a reflection of life - but it's just a reflection, and the real thing is my daughter.
I believe that perfection handicaps cinema.
All my life I’ve pursued the perfect red. I can never get painters to mix it for me. It’s exactly as if I’d said, ‘I want rococo with a spot of Gothic in it and a bit of Buddhist temple’—they have no idea what I’m talking about. About the best red is to copy the color of a child’s cap in any Renaissance portrait.
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